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CHAPTER XXIX UP CHAPTER XXXI CHAPTER XXX The Queens Class Is Organized Marilla laid her knitting on her lap and leaned back in her chair. Her eyes were tired, and she thought vaguely that she must see about having her glasses changed the next time she went to town, for her eyes had grown tired very often of late. It was nearly dark, for the full November twilight had fallen around Green Gables, and the only light in the kitchen came from the dancing red flames in the stove. Anne was curled up Turk-fashion on the hearthrug, gazing into that joyous glow where the sunshine of a hundred summers was being distilled from the maple cordwood. She had been reading, but her book had slipped to the floor, and now she was dreaming, with a smile on her parted lips. Glittering castles in Spain were shaping themselves out of the mists and rainbows of her lively fancy; adventures wonderful and enthralling were happening to her in cloudland--adventures that always turned out triumphantly and never involved her in scrapes like those of actual life. Marilla looked at her with a tenderness that would never have been suffered to reveal itself in any clearer light than that soft mingling of fireshine and shadow. The lesson of a love that should display itself easily in spoken word and open look was one Marilla could never learn. But she had learned to love this slim, gray-eyed girl with an affection all the deeper and stronger from its very undemonstrativeness. Her love made her afraid of being unduly indulgent, indeed. She had an uneasy feeling that it was rather sinful to set one s heart so intensely on any human creature as she had set hers on Anne, and perhaps she performed a sort of unconscious penance for this by being stricter and more critical than if the girl had been less dear to her. Certainly Anne herself had no idea how Marilla loved her. She sometimes thought wistfully that Marilla was very hard to please and distinctly lacking in sympathy and understanding. But she always checked the thought reproachfully, remembering what she owed to Marilla. "Anne," said Marilla abruptly, "Miss Stacy was here this afternoon when you were out with Diana." Anne came back from her other world with a start and a sigh. "Was she? Oh, I m so sorry I wasn t in. Why didn t you call me, Marilla? Diana and I were only over in the Haunted Wood. It s lovely in the woods now. All the little wood things--the ferns and the satin leaves and the crackerberries--have gone to sleep, just as if somebody had tucked them away until spring under a blanket of leaves. I think it was a little gray fairy with a rainbow scarf that came tiptoeing along the last moonlight night and did it. Diana wouldn t say much about that, though. Diana has never forgotten the scolding her mother gave her about imagining ghosts into the Haunted Wood. It had a very bad effect on Diana s imagination. It blighted it. Mrs. Lynde says Myrtle Bell is a blighted being. I asked Ruby Gillis why Myrtle was blighted, and Ruby said she guessed it was because her young man had gone back on her. Ruby Gillis thinks of nothing but young men, and the older she gets the worse she is. Young men are all very well in their place, but it doesn t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever. Diana hasn t quite made up her mind though, because she thinks perhaps it would be nobler to marry some wild, dashing, wicked young man and reform him. Diana and I talk a great deal about serious subjects now, you know. We feel that we are so much older than we used to be that it isn t becoming to talk of childish matters. It s such a solemn thing to be almost fourteen, Marilla. Miss Stacy took all us girls who are in our teens down to the brook last Wednesday, and talked to us about it. She said we couldn t be too careful what habits we formed and what ideals we acquired in our teens, because by the time we were twenty our characters would be developed and the foundation laid for our whole future life. And she said if the foundation was shaky we could never build anything really worth while on it. Diana and I talked the matter over coming home from school. We felt extremely solemn, Marilla. And we decided that we would try to be very careful indeed and form respectable habits and learn all we could and be as sensible as possible, so that by the time we were twenty our characters would be properly developed. It s perfectly appalling to think of being twenty, Marilla. It sounds so fearfully old and grown up. But why was Miss Stacy here this afternoon?" "That is what I want to tell you, Anne, if you ll ever give me a chance to get a word in edgewise. She was talking about you." "About me?" Anne looked rather scared. Then she flushed and exclaimed "Oh, I know what she was saying. I meant to tell you, Marilla, honestly I did, but I forgot. Miss Stacy caught me reading Ben Hur in school yesterday afternoon when I should have been studying my Canadian history. Jane Andrews lent it to me. I was reading it at dinner hour, and I had just got to the chariot race when school went in. I was simply wild to know how it turned out-- although I felt sure Ben Hur must win, because it wouldn t be poetical justice if he didn t--so I spread the history open on my desk lid and then tucked Ben Hur between the desk and my knee. I just looked as if I were studying Canadian history, you know, while all the while I was reveling in Ben Hur. I was so interested in it that I never noticed Miss Stacy coming down the aisle until all at once I just looked up and there she was looking down at me, so reproachful-like. I can t tell you how ashamed I felt, Marilla, especially when I heard Josie Pye giggling. Miss Stacy took Ben Hur away, but she never said a word then. She kept me in at recess and talked to me. She said I had done very wrong in two respects. First, I was wasting the time I ought to have put on my studies; and secondly, I was deceiving my teacher in trying to make it appear I was reading a history when it was a storybook instead. I had never realized until that moment, Marilla, that what I was doing was deceitful. I was shocked. I cried bitterly, and asked Miss Stacy to forgive me and I d never do such a thing again; and I offered to do penance by never so much as looking at Ben Hur for a whole week, not even to see how the chariot race turned out. But Miss Stacy said she wouldn t require that, and she forgave me freely. So I think it wasn t very kind of her to come up here to you about it after all." "Miss Stacy never mentioned such a thing to me, Anne, and its only your guilty conscience that s the matter with you. You have no business to be taking storybooks to school. You read too many novels anyhow. When I was a girl I wasn t so much as allowed to look at a novel." "Oh, how can you call Ben Hur a novel when it s really such a religious book?" protested Anne. "Of course it s a little too exciting to be proper reading for Sunday, and I only read it on weekdays. And I never read ANY book now unless either Miss Stacy or Mrs. Allan thinks it is a proper book for a girl thirteen and three-quarters to read. Miss Stacy made me promise that. She found me reading a book one day called, The Lurid Mystery of the Haunted Hall. It was one Ruby Gillis had lent me, and, oh, Marilla, it was so fascinating and creepy. It just curdled the blood in my veins. But Miss Stacy said it was a very silly, unwholesome book, and she asked me not to read any more of it or any like it. I didn t mind promising not to read any more like it, but it was AGONIZING to give back that book without knowing how it turned out. But my love for Miss Stacy stood the test and I did. It s really wonderful, Marilla, what you can do when you re truly anxious to please a certain person." "Well, I guess I ll light the lamp and get to work," said Marilla. "I see plainly that you don t want to hear what Miss Stacy had to say. You re more interested in the sound of your own tongue than in anything else." "Oh, indeed, Marilla, I do want to hear it," cried Anne contritely. "I won t say another word--not one. I know I talk too much, but I am really trying to overcome it, and although I say far too much, yet if you only knew how many things I want to say and don t, you d give me some credit for it. Please tell me, Marilla." "Well, Miss Stacy wants to organize a class among her advanced students who mean to study for the entrance examination into Queen s. She intends to give them extra lessons for an hour after school. And she came to ask Matthew and me if we would like to have you join it. What do you think about it yourself, Anne? Would you like to go to Queen s and pass for a teacher?" "Oh, Marilla!" Anne straightened to her knees and clasped her hands. "It s been the dream of my life--that is, for the last six months, ever since Ruby and Jane began to talk of studying for the Entrance. But I didn t say anything about it, because I supposed it would be perfectly useless. I d love to be a teacher. But won t it be dreadfully expensive? Mr. Andrews says it cost him one hundred and fifty dollars to put Prissy through, and Prissy wasn t a dunce in geometry." "I guess you needn t worry about that part of it. When Matthew and I took you to bring up we resolved we would do the best we could for you and give you a good education. I believe in a girl being fitted to earn her own living whether she ever has to or not. You ll always have a home at Green Gables as long as Matthew and I are here, but nobody knows what is going to happen in this uncertain world, and it s just as well to be prepared. So you can join the Queen s class if you like, Anne." "Oh, Marilla, thank you." Anne flung her arms about Marilla s waist and looked up earnestly into her face. "I m extremely grateful to you and Matthew. And I ll study as hard as I can and do my very best to be a credit to you. I warn you not to expect much in geometry, but I think I can hold my own in anything else if I work hard." "I dare say you ll get along well enough. Miss Stacy says you are bright and diligent." Not for worlds would Marilla have told Anne just what Miss Stacy had said about her; that would have been to pamper vanity. "You needn t rush to any extreme of killing yourself over your books. There is no hurry. You won t be ready to try the Entrance for a year and a half yet. But it s well to begin in time and be thoroughly grounded, Miss Stacy says." "I shall take more interest than ever in my studies now," said Anne blissfully, "because I have a purpose in life. Mr. Allan says everybody should have a purpose in life and pursue it faithfully. Only he says we must first make sure that it is a worthy purpose. I would call it a worthy purpose to want to be a teacher like Miss Stacy, wouldn t you, Marilla? I think it s a very noble profession." The Queen s class was organized in due time. Gilbert Blythe, Anne Shirley, Ruby Gillis, Jane Andrews, Josie Pye, Charlie Sloane, and Moody Spurgeon MacPherson joined it. Diana Barry did not, as her parents did not intend to send her to Queen s. This seemed nothing short of a calamity to Anne. Never, since the night on which Minnie May had had the croup, had she and Diana been separated in anything. On the evening when the Queen s class first remained in school for the extra lessons and Anne saw Diana go slowly out with the others, to walk home alone through the Birch Path and Violet Vale, it was all the former could do to keep her seat and refrain from rushing impulsively after her chum. A lump came into her throat, and she hastily retired behind the pages of her uplifted Latin grammar to hide the tears in her eyes. Not for worlds would Anne have had Gilbert Blythe or Josie Pye see those tears. "But, oh, Marilla, I really felt that I had tasted the bitterness of death, as Mr. Allan said in his sermon last Sunday, when I saw Diana go out alone," she said mournfully that night. "I thought how splendid it would have been if Diana had only been going to study for the Entrance, too. But we can t have things perfect in this imperfect world, as Mrs. Lynde says. Mrs. Lynde isn t exactly a comforting person sometimes, but there s no doubt she says a great many very true things. And I think the Queen s class is going to be extremely interesting. Jane and Ruby are just going to study to be teachers. That is the height of their ambition. Ruby says she will only teach for two years after she gets through, and then she intends to be married. Jane says she will devote her whole life to teaching, and never, never marry, because you are paid a salary for teaching, but a husband won t pay you anything, and growls if you ask for a share in the egg and butter money. I expect Jane speaks from mournful experience, for Mrs. Lynde says that her father is a perfect old crank, and meaner than second skimmings. Josie Pye says she is just going to college for education s sake, because she won t have to earn her own living; she says of course it is different with orphans who are living on charity--THEY have to hustle. Moody Spurgeon is going to be a minister. Mrs. Lynde says he couldn t be anything else with a name like that to live up to. I hope it isn t wicked of me, Marilla, but really the thought of Moody Spurgeon being a minister makes me laugh. He s such a funny-looking boy with that big fat face, and his little blue eyes, and his ears sticking out like flaps. But perhaps he will be more intellectual looking when he grows up. Charlie Sloane says he s going to go into politics and be a member of Parliament, but Mrs. Lynde says he ll never succeed at that, because the Sloanes are all honest people, and it s only rascals that get on in politics nowadays." "What is Gilbert Blythe going to be?" queried Marilla, seeing that Anne was opening her Caesar. "I don t happen to know what Gilbert Blythe s ambition in life is-- if he has any," said Anne scornfully. There was open rivalry between Gilbert and Anne now. Previously the rivalry had been rather onesided, but there was no longer any doubt that Gilbert was as determined to be first in class as Anne was. He was a foeman worthy of her steel. The other members of the class tacitly acknowledged their superiority, and never dreamed of trying to compete with them. Since the day by the pond when she had refused to listen to his plea for forgiveness, Gilbert, save for the aforesaid determined rivalry, had evinced no recognition whatever of the existence of Anne Shirley. He talked and jested with the other girls, exchanged books and puzzles with them, discussed lessons and plans, sometimes walked home with one or the other of them from prayer meeting or Debating Club. But Anne Shirley he simply ignored, and Anne found out that it is not pleasant to be ignored. It was in vain that she told herself with a toss of her head that she did not care. Deep down in her wayward, feminine little heart she knew that she did care, and that if she had that chance of the Lake of Shining Waters again she would answer very differently. All at once, as it seemed, and to her secret dismay, she found that the old resentment she had cherished against him was gone--gone just when she most needed its sustaining power. It was in vain that she recalled every incident and emotion of that memorable occasion and tried to feel the old satisfying anger. That day by the pond had witnessed its last spasmodic flicker. Anne realized that she had forgiven and forgotten without knowing it. But it was too late. And at least neither Gilbert nor anybody else, not even Diana, should ever suspect how sorry she was and how much she wished she hadn t been so proud and horrid! She determined to "shroud her feelings in deepest oblivion," and it may be stated here and now that she did it, so successfully that Gilbert, who possibly was not quite so indifferent as he seemed, could not console himself with any belief that Anne felt his retaliatory scorn. The only poor comfort he had was that she snubbed Charlie Sloane, unmercifully, continually, and undeservedly. Otherwise the winter passed away in a round of pleasant duties and studies. For Anne the days slipped by like golden beads on the necklace of the year. She was happy, eager, interested; there were lessons to be learned and honor to be won; delightful books to read; new pieces to be practiced for the Sunday-school choir; pleasant Saturday afternoons at the manse with Mrs. Allan; and then, almost before Anne realized it, spring had come again to Green Gables and all the world was abloom once more. Studies palled just a wee bit then; the Queen s class, left behind in school while the others scattered to green lanes and leafy wood cuts and meadow byways, looked wistfully out of the windows and discovered that Latin verbs and French exercises had somehow lost the tang and zest they had possessed in the crisp winter months. Even Anne and Gilbert lagged and grew indifferent. Teacher and taught were alike glad when the term was ended and the glad vacation days stretched rosily before them. "But you ve done good work this past year," Miss Stacy told them on the last evening, "and you deserve a good, jolly vacation. Have the best time you can in the out-of-door world and lay in a good stock of health and vitality and ambition to carry you through next year. It will be the tug of war, you know--the last year before the Entrance." "Are you going to be back next year, Miss Stacy?" asked Josie Pye. Josie Pye never scrupled to ask questions; in this instance the rest of the class felt grateful to her; none of them would have dared to ask it of Miss Stacy, but all wanted to, for there had been alarming rumors running at large through the school for some time that Miss Stacy was not coming back the next year--that she had been offered a position in the grade school of her own home district and meant to accept. The Queen s class listened in breathless suspense for her answer. "Yes, I think I will," said Miss Stacy. "I thought of taking another school, but I have decided to come back to Avonlea. To tell the truth, I ve grown so interested in my pupils here that I found I couldn t leave them. So I ll stay and see you through." "Hurrah!" said Moody Spurgeon. Moody Spurgeon had never been so carried away by his feelings before, and he blushed uncomfortably every time he thought about it for a week. "Oh, I m so glad," said Anne, with shining eyes. "Dear Stacy, it would be perfectly dreadful if you didn t come back. I don t believe I could have the heart to go on with my studies at all if another teacher came here." When Anne got home that night she stacked all her textbooks away in an old trunk in the attic, locked it, and threw the key into the blanket box. "I m not even going to look at a schoolbook in vacation," she told Marilla. "I ve studied as hard all the term as I possibly could and I ve pored over that geometry until I know every proposition in the first book off by heart, even when the letters ARE changed. I just feel tired of everything sensible and I m going to let my imagination run riot for the summer. Oh, you needn t be alarmed, Marilla. I ll only let it run riot within reasonable limits. But I want to have a real good jolly time this summer, for maybe it s the last summer I ll be a little girl. Mrs. Lynde says that if I keep stretching out next year as I ve done this I ll have to put on longer skirts. She says I m all running to legs and eyes. And when I put on longer skirts I shall feel that I have to live up to them and be very dignified. It won t even do to believe in fairies then, I m afraid; so I m going to believe in them with all my whole heart this summer. I think we re going to have a very gay vacation. Ruby Gillis is going to have a birthday party soon and there s the Sunday school picnic and the missionary concert next month. And Mr. Barry says that some evening he ll take Diana and me over to the White Sands Hotel and have dinner there. They have dinner there in the evening, you know. Jane Andrews was over once last summer and she says it was a dazzling sight to see the electric lights and the flowers and all the lady guests in such beautiful dresses. Jane says it was her first glimpse into high life and she ll never forget it to her dying day." Mrs. Lynde came up the next afternoon to find out why Marilla had not been at the Aid meeting on Thursday. When Marilla was not at Aid meeting people knew there was something wrong at Green Gables. "Matthew had a bad spell with his heart Thursday," Marilla explained, "and I didn t feel like leaving him. Oh, yes, he s all right again now, but he takes them spells oftener than he used to and I m anxious about him. The doctor says he must be careful to avoid excitement. That s easy enough, for Matthew doesn t go about looking for excitement by any means and never did, but he s not to do any very heavy work either and you might as well tell Matthew not to breathe as not to work. Come and lay off your things, Rachel. You ll stay to tea?" "Well, seeing you re so pressing, perhaps I might as well, stay" said Mrs. Rachel, who had not the slightest intention of doing anything else. Mrs. Rachel and Marilla sat comfortably in the parlor while Anne got the tea and made hot biscuits that were light and white enough to defy even Mrs. Rachel s criticism. "I must say Anne has turned out a real smart girl," admitted Mrs. Rachel, as Marilla accompanied her to the end of the lane at sunset. "She must be a great help to you." "She is," said Marilla, "and she s real steady and reliable now. I used to be afraid she d never get over her featherbrained ways, but she has and I wouldn t be afraid to trust her in anything now." "I never would have thought she d have turned out so well that first day I was here three years ago," said Mrs. Rachel. "Lawful heart, shall I ever forget that tantrum of hers! When I went home that night I says to Thomas, says I, `Mark my words, Thomas, Marilla Cuthbert ll live to rue the step she s took. But I was mistaken and I m real glad of it. I ain t one of those kind of people, Marilla, as can never be brought to own up that they ve made a mistake. No, that never was my way, thank goodness. I did make a mistake in judging Anne, but it weren t no wonder, for an odder, unexpecteder witch of a child there never was in this world, that s what. There was no ciphering her out by the rules that worked with other children. It s nothing short of wonderful how she s improved these three years, but especially in looks. She s a real pretty girl got to be, though I can t say I m overly partial to that pale, big-eyed style myself. I like more snap and color, like Diana Barry has or Ruby Gillis. Ruby Gillis s looks are real showy. But somehow--I don t know how it is but when Anne and them are together, though she ain t half as handsome, she makes them look kind of common and overdone-- something like them white June lilies she calls narcissus alongside of the big, red peonies, that s what." CHAPTER XXIX UP CHAPTER XXXI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 18 36 (Tue)
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ELFTE SZENE Carlotta (allein), dann Erminio CARLOTTA Ah! geht nervös-erregt auf und ab Dieser Zustand ist unerträglich! Dieser Kampf zwischen Pflicht, Ehre und - warum soll ich s nicht aussprechen? - Liebe. Ja, Liebe! Dieser Kampf reibt mich auf! setzt sich links in einen Lehnstuhl, stützt melancholisch den Kopf auf die rechte Hand Schreckliches Los! Meine erste Ehe mit einem alternden Manne freudlos, und die zweite mit… sinnt nach Nr. 11 - Szene und Duett sehr fernes Gewitter und Wetterleuchten CARLOTTA kehrt langsam vom Fenster zurück und lässt sich sinnend auf dem Diwan nieder Dunkel breitet sich über das Meer der Donner rollt, Blitze zucken, die Luft ist schwer . ein Wetter grollt. ERMINIO springt, nachdem er sich, umgesehen, leicht und ohne Geräusch durchs Fenster. Er ist in einen Mantel gehüllt; für sich Fast erbeb ich, ob auch gelingt. was ich erdacht, doch vertraun will ich unbedingt der Liebe Macht! CARLOTTA für sich Bin ich allein, allein mit meinen Gedanken, beginnt mein Mut zu wanken, ich denke sein! vergräbt ihr Gesicht in den Händen ERMINIO für sich Ans Werk denn ohne Schwanken, es muss ja sein! spricht Doch Vorsicht! Erst den Rückzug gesichert! versperrt beide rückwärtige Türen; beim Sperren der zweiten auf der rechten Seite entsteht ein heftiges Geräusch. CARLOTTA fährt auf Marietta, bist du da? steht auf; ein Blitzstrahl erleuchtet das Zimmer und zeigt ihr Erminio; erschrocken O Gott, ein Mann ist hier! ERMINIO einen Schritt näher tretend Ich bitte, keinen Laut! CARLOTTA ihn erkennend, etwas beruhigter Sie sind es? Sie bei mir? Wie kommen Sie herein? ERMINIO unbefangen Durchs Fenster stieg ich ein! CARLOTTA betroffen Für einen Ehrenmann recht seltsam immerhin! ERMINIO leicht Für einen Ehrenmann? Wer weiss, ob ich das bin. CARLOTTA beleidigt Genug mit diesem Ton! Sie gehen, oder ich! geht entschlossen zur Tür ERMINIO ohne sich zu rühren Das sah voraus ich schon. Umsonst bemühn Sie sieh, verschlossen ist die Tür. da Carlotta eine Bewegung macht, nach der anderen Seite zu gehen Die andre auch! CARLOTTA Weh mir! Verlassen Sie das Haus, sonst ruf urn Hilfe ich! ergreift die Glocke ERMINIO Auch das sah ich voraus. lässt den Mantel fallen, hält in jeder Hand eine Pistole und zielt mit der rechten auf Carlotta Sie würden zwingen mich, recht ungalant zu sein, wenn Sie zu rufen wagen. Da Carlotta die Kraft versagt, unterstützt er sie und geleitet sie zum Diwan. CARLOTTA sucht sich zu fassen Sie dringen heimlich ein, bei Nacht, bewaffnet gar! Das ist … ERMINIO ... ich muss es sagen, verdächtig offenbar! CARLOTTA fest Und gegen alle Sitte! Warum bedrohn Sie mich? ERMINIO Den Schlüssel nur erbitte zu jenem Schranke ich! deutet auf dem Wandschrank CARLOTTA Der Scherz geht etwas weit! ERMINIO Kein Scherz! Mir tät es leid, macht einen Schritt näher wenn ich gezwungen wäre CARLOTTA entsetzt Gewalt? ERMINIO Nicht Ihrer Ehre soll Gefahr hier drohn, nein, nur der Million! CARLOTTA verwirrt Ein Räuber wären Sie? Ist s Wahrheit, was ich seh ? ERMINIO leicht Mein Gott, was wollen Sie, s ist einmal mein Metier! lustig Nur Gold will ich holen, nichts andres mich zieht, ein wirklicher Räuber, ein echter Bandit! Ich kann Sie versichern, bei mir trügt der Schein, mein Äussres ist nobel, mein Innres gemein! Wohl weiss Ihre Reize zu würd gen ich sehr, allein die Millionen, die reizen noch mehr! CARLOTTA für sich Nur Gold will er holen, nichts andres ihn zieht, als wirklicher Räuber, als echter Bandit! ERMINIO Nur Gold will ich holen. nichts andres mich zieht, als wirklicher Räuber, als echter Bandit! Was man in der Tasche nicht forttragen kann, das bleibt mir stets heilig, das rühr ich nicht an! Es gibt ein altes Lied, da singt der Bandit Wird erfüllt mein Verlangen, bleib ich sanft, nicht braucht Ihr zu bangen! Ja, wenn man zahlt, bin ich galant, ja, wenn man zahlt, bin ich charmant! Nur gegen bar, kling, kling, kling, kling, geh ich euch frei, ha, ha, ha, ha! Nur gegen bar, kling, kling, kling, kling, sonst droht Gefahr! CARLOTTA für sich Wär es wahr? Was ich empfand, bin zu deuten ich kaum imstand! Nur gegen bar gibt er mich frei? O San Giovanni, mich bewahr vor der Gefahr! ERMINIO Nur gegen bar! Beenden wir die Sache! Zu lang hab ich Sie derangiert. CARLOTTA immer leidenschaftlicher Und wenn ich Lärm nun mache? Sie werden arretiert, gefesselt, fortgeführt, verurteilt vom Gerichte! ERMINIO leicht Und aufgehängt sodann! So endet die Geschichte wahrscheinlich recht peinlich, die doch so schön begann! Drum muss ich mich beeilen. darf nicht so lang hier weilen, bis man mich hier gefunden! dringend Den Schlüssel! Carlotta reicht ihm schweigend den Schlüssel. ihn nehmend Sehr verbunden! während Erminio den Schrank öffnet und behutsam das Portefeuille herausnimmt und den Inhalt überprüft CARLOTTA für sich Ach, was muss ich entdecken? s ist nicht Angst nur und Schrecken, was mein Herz jetzt durchglüht! Nein, er ist kein Bandit, nimmer kann ich es glauben, dass er kam, um zu rauben! Wer löst dies Rätsel nur? Wer hilft mir auf die Spur? ERMINIO Das schöne Kapital, das hier verschlossen ruht, soll Ihnen Zinsen tragen, ich leg es an sehr gut! sich artig verabschiedend Sie werden gütig mir verzeihn! Beklagenswert ist mein Geschick das Schönste lasse ich zurück, nahm schnöden Mammon nur allein! CARLOTTA ironisch dankend Galanter kann man nicht mehr sein! ERMINIO Ha! Wird erfüllt mein Verlangen, bleib ich sanft, nicht braucht Ihr zu bangen! Ja, wenn man zahlt, bin ich galant, ja, wenn man zahlt, dann bin ich charmant! CARLOTTA für sich Ob Schrecken auch dies Herz durchzieht, zu Erminio andres Gefühl nicht in mir glüht! Nehmt, was Ihr wollt, nehmt all mein Gold, doch nun eilet schnell fort! Entflieht! ERMINIO schwingt sich aufs Fenster, während ihm Carlotta angstvoll nachstarrt Ruhen Sie sanft, reizende Frau! Bitte sich nicht zu bemühn! Ich kenn den Weg sehr genau! CARLOTTA halb ohnmächtig in den Sessel sinkend nächst dem Fenster Meine Kraft ist dahin! ERMINIO springt aus dem Fenster Adieu! Adieu! ZWÖLFTE SZENE Carlotta (allein). Marietta, Zenobia (hinter der Szene) Dialog Carlotta liegt halb in Ohnmacht. MARIETTA hinter der linken Tür Frau Gräfin! Frau Gräfin! Das Souper ist bereit! ZENOBIA hinter der rechten Tür Frau Gräfin! Frau Gräfin! Die Gesellschaft wartet! Beide klopfen; kurze Pause BEIDE hinter den Türen Frau Gräfin! ZENOBIA hinter der Szene Was ist das? Sie antwortet nicht?! MARIETTA hinter der Szene Vorhin fühlte sie sich nicht wohl! BEIDE hinter der Szene Hilfe! Hilfe! ELFTE SZENE Carlotta (allein), dann Erminio CARLOTTA Ah! geht nervös-erregt auf und ab Dieser Zustand ist unerträglich! Dieser Kampf zwischen Pflicht, Ehre und - warum soll ich s nicht aussprechen? - Liebe. Ja, Liebe! Dieser Kampf reibt mich auf! setzt sich links in einen Lehnstuhl, stützt melancholisch den Kopf auf die rechte Hand Schreckliches Los! Meine erste Ehe mit einem alternden Manne freudlos, und die zweite mit… sinnt nach Nr. 11 - Szene und Duett sehr fernes Gewitter und Wetterleuchten CARLOTTA kehrt langsam vom Fenster zurück und lässt sich sinnend auf dem Diwan nieder Dunkel breitet sich über das Meer der Donner rollt, Blitze zucken, die Luft ist schwer . ein Wetter grollt. ERMINIO springt, nachdem er sich, umgesehen, leicht und ohne Geräusch durchs Fenster. Er ist in einen Mantel gehüllt; für sich Fast erbeb ich, ob auch gelingt. was ich erdacht, doch vertraun will ich unbedingt der Liebe Macht! CARLOTTA für sich Bin ich allein, allein mit meinen Gedanken, beginnt mein Mut zu wanken, ich denke sein! vergräbt ihr Gesicht in den Händen ERMINIO für sich Ans Werk denn ohne Schwanken, es muss ja sein! spricht Doch Vorsicht! Erst den Rückzug gesichert! versperrt beide rückwärtige Türen; beim Sperren der zweiten auf der rechten Seite entsteht ein heftiges Geräusch. CARLOTTA fährt auf Marietta, bist du da? steht auf; ein Blitzstrahl erleuchtet das Zimmer und zeigt ihr Erminio; erschrocken O Gott, ein Mann ist hier! ERMINIO einen Schritt näher tretend Ich bitte, keinen Laut! CARLOTTA ihn erkennend, etwas beruhigter Sie sind es? Sie bei mir? Wie kommen Sie herein? ERMINIO unbefangen Durchs Fenster stieg ich ein! CARLOTTA betroffen Für einen Ehrenmann recht seltsam immerhin! ERMINIO leicht Für einen Ehrenmann? Wer weiss, ob ich das bin. CARLOTTA beleidigt Genug mit diesem Ton! Sie gehen, oder ich! geht entschlossen zur Tür ERMINIO ohne sich zu rühren Das sah voraus ich schon. Umsonst bemühn Sie sieh, verschlossen ist die Tür. da Carlotta eine Bewegung macht, nach der anderen Seite zu gehen Die andre auch! CARLOTTA Weh mir! Verlassen Sie das Haus, sonst ruf urn Hilfe ich! ergreift die Glocke ERMINIO Auch das sah ich voraus. lässt den Mantel fallen, hält in jeder Hand eine Pistole und zielt mit der rechten auf Carlotta Sie würden zwingen mich, recht ungalant zu sein, wenn Sie zu rufen wagen. Da Carlotta die Kraft versagt, unterstützt er sie und geleitet sie zum Diwan. CARLOTTA sucht sich zu fassen Sie dringen heimlich ein, bei Nacht, bewaffnet gar! Das ist … ERMINIO ... ich muss es sagen, verdächtig offenbar! CARLOTTA fest Und gegen alle Sitte! Warum bedrohn Sie mich? ERMINIO Den Schlüssel nur erbitte zu jenem Schranke ich! deutet auf dem Wandschrank CARLOTTA Der Scherz geht etwas weit! ERMINIO Kein Scherz! Mir tät es leid, macht einen Schritt näher wenn ich gezwungen wäre CARLOTTA entsetzt Gewalt? ERMINIO Nicht Ihrer Ehre soll Gefahr hier drohn, nein, nur der Million! CARLOTTA verwirrt Ein Räuber wären Sie? Ist s Wahrheit, was ich seh ? ERMINIO leicht Mein Gott, was wollen Sie, s ist einmal mein Metier! lustig Nur Gold will ich holen, nichts andres mich zieht, ein wirklicher Räuber, ein echter Bandit! Ich kann Sie versichern, bei mir trügt der Schein, mein Äussres ist nobel, mein Innres gemein! Wohl weiss Ihre Reize zu würd gen ich sehr, allein die Millionen, die reizen noch mehr! CARLOTTA für sich Nur Gold will er holen, nichts andres ihn zieht, als wirklicher Räuber, als echter Bandit! ERMINIO Nur Gold will ich holen. nichts andres mich zieht, als wirklicher Räuber, als echter Bandit! Was man in der Tasche nicht forttragen kann, das bleibt mir stets heilig, das rühr ich nicht an! Es gibt ein altes Lied, da singt der Bandit Wird erfüllt mein Verlangen, bleib ich sanft, nicht braucht Ihr zu bangen! Ja, wenn man zahlt, bin ich galant, ja, wenn man zahlt, bin ich charmant! Nur gegen bar, kling, kling, kling, kling, geh ich euch frei, ha, ha, ha, ha! Nur gegen bar, kling, kling, kling, kling, sonst droht Gefahr! CARLOTTA für sich Wär es wahr? Was ich empfand, bin zu deuten ich kaum imstand! Nur gegen bar gibt er mich frei? O San Giovanni, mich bewahr vor der Gefahr! ERMINIO Nur gegen bar! Beenden wir die Sache! Zu lang hab ich Sie derangiert. CARLOTTA immer leidenschaftlicher Und wenn ich Lärm nun mache? Sie werden arretiert, gefesselt, fortgeführt, verurteilt vom Gerichte! ERMINIO leicht Und aufgehängt sodann! So endet die Geschichte wahrscheinlich recht peinlich, die doch so schön begann! Drum muss ich mich beeilen. darf nicht so lang hier weilen, bis man mich hier gefunden! dringend Den Schlüssel! Carlotta reicht ihm schweigend den Schlüssel. ihn nehmend Sehr verbunden! während Erminio den Schrank öffnet und behutsam das Portefeuille herausnimmt und den Inhalt überprüft CARLOTTA für sich Ach, was muss ich entdecken? s ist nicht Angst nur und Schrecken, was mein Herz jetzt durchglüht! Nein, er ist kein Bandit, nimmer kann ich es glauben, dass er kam, um zu rauben! Wer löst dies Rätsel nur? Wer hilft mir auf die Spur? ERMINIO Das schöne Kapital, das hier verschlossen ruht, soll Ihnen Zinsen tragen, ich leg es an sehr gut! sich artig verabschiedend Sie werden gütig mir verzeihn! Beklagenswert ist mein Geschick das Schönste lasse ich zurück, nahm schnöden Mammon nur allein! CARLOTTA ironisch dankend Galanter kann man nicht mehr sein! ERMINIO Ha! Wird erfüllt mein Verlangen, bleib ich sanft, nicht braucht Ihr zu bangen! Ja, wenn man zahlt, bin ich galant, ja, wenn man zahlt, dann bin ich charmant! CARLOTTA für sich Ob Schrecken auch dies Herz durchzieht, zu Erminio andres Gefühl nicht in mir glüht! Nehmt, was Ihr wollt, nehmt all mein Gold, doch nun eilet schnell fort! Entflieht! ERMINIO schwingt sich aufs Fenster, während ihm Carlotta angstvoll nachstarrt Ruhen Sie sanft, reizende Frau! Bitte sich nicht zu bemühn! Ich kenn den Weg sehr genau! CARLOTTA halb ohnmächtig in den Sessel sinkend nächst dem Fenster Meine Kraft ist dahin! ERMINIO springt aus dem Fenster Adieu! Adieu! ZWÖLFTE SZENE Carlotta (allein). Marietta, Zenobia (hinter der Szene) Dialog Carlotta liegt halb in Ohnmacht. MARIETTA hinter der linken Tür Frau Gräfin! Frau Gräfin! Das Souper ist bereit! ZENOBIA hinter der rechten Tür Frau Gräfin! Frau Gräfin! Die Gesellschaft wartet! Beide klopfen; kurze Pause BEIDE hinter den Türen Frau Gräfin! ZENOBIA hinter der Szene Was ist das? Sie antwortet nicht?! MARIETTA hinter der Szene Vorhin fühlte sie sich nicht wohl! BEIDE hinter der Szene Hilfe! Hilfe! Millöcker,Carl/Gasparone/II-5
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Symposium Proceedings Toronto, Ontario, Canada, July 12-14, 1998 Iron & Steel Society? Alex McLean? Iron&SteelSociety? AlexMcLean? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Mining? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Mechanical Working and Steel Processing Conference 1999 (Mechanical Working and Steel Processing Conference//Mechanical Working and Steel Processing) Iron & Steel Society? Iron&SteelSociety? ユーズドブック(洋書)-Engineering Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General J. K. 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Mechanics in Differential Geometry V.S.P. Intl Science? Yves R. Talpaert? V.S.P.IntlScience? YvesR.Talpaert? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-DifferentialGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-DifferentialGeometry? The Structural Stabilization of Polymers Fractal Models (New Concepts in Polymer Science) V.S.P. Intl Science? G. V. Kozlov? G. E. Zaikov? V.S.P.IntlScience? G.V.Kozlov? G.E.Zaikov? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Fractals? Subjects-Science-Chemistry-General&Reference? 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Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Peptides - Chemistry and Biology Proceedings of the Twelfth American Peptide Symposium Kluwer Academic Pub? John A. Smith? Jean E. Rivier? KluwerAcademicPub? JohnA.Smith? JeanE.Rivier? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Trends in Qsar and Molecular Modelling 92 Kluwer Academic Pub? Camille Georges Wermuth? KluwerAcademicPub? CamilleGeorgesWermuth? ユーズドブック(洋書)-Medicine? 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Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Pharmacology-Pharmacy? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Professional&Technical-Medical-Pharmacology-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Pharmacy? Computer Simulation of Biomolecular Systems Theoretical and Experimental Applications (Computer Simulations of Biomolecular Systems) Kluwer Academic Pub? Wilfred F. Van Gunsteren? Paul K. Weiner? Anthony J. Wilkinson? KluwerAcademicPub? WilfredF.VanGunsteren? PaulK.Weiner? 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Sarah McLachlan Collection Easy Piano (Easy Piano (Hal Leonard)) Hal Leonard Corp? Sarah McLachlan? HalLeonardCorp? SarahMcLachlan? Subjects-Entertainment-Music-Instruments&Performers-Piano? Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-Theory,Composition&Performance-Songbooks-Popular? Subjects-Entertainment-Music-Songbooks? Wide-Gap Chalcopyrites (Springer Series in Materials Science) Springer-Verlag? S. Siebentritt? U. Rau? Springer-Verlag? S.Siebentritt? U.Rau? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-General? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? 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Subjects-Science-Medicine-Pharmacology? The Basic Oxford Picture Dictionary Oxford Univ Pr (Sd)? Margot Gramer? OxfordUnivPr(Sd)? MargotGramer? Subjects-Literature&Fiction-GenreFiction-Anthologies? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Picture? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Synonyms&Antonyms? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Dictionaries? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-General? Mary K Greer's 21 Ways to Read A Tarot Card Llewellyn Pubns? Mary K. Greer? LlewellynPubns? MaryK.Greer? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Religion&Spirituality-NewAge-Divination-Tarot? Subjects-Religion&Spirituality-NewAge-General? Industrial Dyes Chemistry, Properties, Applications Vch Verlagsgesellschaft Mbh? Klaus Hunger? VchVerlagsgesellschaftMbh? KlausHunger? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Chemical-General? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Longman Preparation Course for the Toefl Test Next Generation (Ibt) With Answer Key Without Cd-rom Prentice Hall College Div? Deborah Phillips? PrenticeHallCollegeDiv? DeborahPhillips? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-TOEFL&TOEIC? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-TOEFLTestPrep? Subjects-Reference-Education-TOEFL&TOEIC? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-TOEFLTestPrep? Subjects-Reference-TestPrepCentral-General? Weapons of the Weak Everyday Forms of Peasant Resistance Yale Univ Pr? James C. Scott? YaleUnivPr? JamesC.Scott? ユーズドブック(洋書)-Nonfiction? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-General? Love (Penguin Classics) Viking Pr? Stendhal? VikingPr? Stendhal? Subjects-Health,Mind&Body-Psychology&Counseling-Neuropsychology? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Perception? Subjects-Health,Mind&Body-MentalHealth-Emotions? Subjects-Literature&Fiction-Classics? Subjects-Literature&Fiction-Authors,A-Z-(S)-Stendhal? Subjects-Literature&Fiction-ForeignLanguageFiction-French? Subjects-Literature&Fiction-General-Contemporary? Subjects-Nonfiction-ForeignLanguageNonfiction-French? The Red Hand of Doom (Dungeons and Dragons) Wizards of the Coast? Richard Baker? James Jacobs? WizardsoftheCoast? RichardBaker? JamesJacobs? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-ScienceFiction&Fantasy? Subjects-Entertainment-Puzzles&Games-General? Subjects-Entertainment-Puzzles&Games-RolePlaying&Fantasy-General? Subjects-Entertainment-Puzzles&Games-RolePlaying&Fantasy-Dungeons&Dragons-General? Subjects-ScienceFiction&Fantasy-Gaming-Dungeons&Dragons-General? Subjects-ScienceFiction&Fantasy-Gaming-General? Methods in Stream Ecology Academic Pr? F. Richard Hauer? Gary A. Lamberti? AcademicPr? F.RichardHauer? GaryA.Lamberti? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General FLCL 2 (Flcl) Tokyopop? Ueda Hajime? Roy Yoshimoto? Stephanie Sheh? Tokyopop? UedaHajime? RoyYoshimoto? StephanieSheh? ユーズドブック(洋書)-Teens? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Comics&GraphicNovels-Manga-General? Subjects-Comics&GraphicNovels-GraphicNovels-General? Subjects-Teens-Manga-General? Negotiate To Win The 21 Rules For Successful Negotiation Harperbusiness? Jim Thomas? Harperbusiness? JimThomas? Subjects-Business&Investing-Biographies&Primers-Negotiating? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-BusinessLife-Communication-Meetings&Presentations? Subjects-Business&Investing-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Negotiating? Dissension (Magic the Gathering) Wizards of the Coast? Cory J. Herndon? WizardsoftheCoast? CoryJ.Herndon? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-ScienceFiction&Fantasy? ユーズドブック(洋書)-Teens? Formats-Paperback-Literature&Fiction? Formats-Paperback-ScienceFiction&Fantasy? Substores-PaperbackStore-ScienceFiction&Fantasy? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-ScienceFiction,Fantasy,&Magic? Subjects-ScienceFiction&Fantasy-Fantasy-Epic? Subjects-ScienceFiction&Fantasy-Fantasy-General? Subjects-Teens-ScienceFiction&Fantasy-Fantasy? Ford Pick-ups, Expedition Lincoln Navigator 1997-2003 (Chilton's Total Car Care Repair Manual) Haynes Pubns? Haynes? HaynesPubns? Haynes? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Industry? Subjects-Nonfiction-Automotive-SportUtilityVehicles? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Automotive-Repair-General? The Average American Male Perennial? Chad Kultgen? Perennial? ChadKultgen? Subjects-Entertainment-Humor-Love,Sex&Marriage? Subjects-Entertainment-Humor-Self-Help&Psychology? Subjects-Literature&Fiction-General-Contemporary? Banjo Chords Mel Bay Publications? MelBayPublications? ユーズドブック(洋書)-Entertainment? Subjects-Entertainment-Music-Instruments&Performers-Guitar? Subjects-Entertainment-Music-Instruments&Performers-Strings? Subjects-Entertainment-Music-Theory,Composition&Performance-Songbooks-Popular? Subjects-Entertainment-Music-Theory,Composition&Performance-Techniques? Vampire Hunter D Volume 8 Mysterious Journey to the North Sea, Part Two Dh Pr? Hideyuki Kikuchi? DhPr? HideyukiKikuchi? ユーズドブック(洋書)-Horror? Subjects-Horror-General? Subjects-Horror-Vampires? Subjects-Literature&Fiction-GenreFiction-Horror-General? Subjects-Literature&Fiction-GenreFiction-Horror-Vampires? Molecular Principles of Animal Development Oxford Univ Pr (Sd)? Alfonso Martinez Arias? Alison Stewart? OxfordUnivPr(Sd)? AlfonsoMartinezArias? AlisonStewart? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-DevelopmentalBiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MolecularBiology? Talk to the Hand The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door Gotham Books? Lynne Truss? GothamBooks? LynneTruss? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Reference? Subjects-Entertainment-Humor-Essays? Subjects-Health,Mind&Body-General? Subjects-Reference-Etiquette-General? Subjects-Reference-General? Essential Ms. Marvel 1 (Essential) Marvel Enterprises? Gerry Conway? Carla Conway? Chris Claremont? Archie Goodwin? Jim Shooter? MarvelEnterprises? GerryConway? CarlaConway? ChrisClaremont? ArchieGoodwin? JimShooter? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Superheroes? Subjects-Comics&GraphicNovels-General? Subjects-Comics&GraphicNovels-GraphicNovels-General? Subjects-Comics&GraphicNovels-Publishers-Marvel? Henri Herz (1803-1888 Selected Works) Routledge? Jeffrey Kallberg? Routledge? JeffreyKallberg? Subjects-Entertainment-Music-Reference-General? Subjects-Entertainment-Music-General? Wolf Stalker (Mysteries in Our National Parks) National Geographic Society? Gloria Skurzynski? Alane Ferguson? NationalGeographicSociety? GloriaSkurzynski? AlaneFerguson? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? ユーズドブック(洋書)-Travel? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Mysteries,Espionage,&Detectives? Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Fiction? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-ExcursionGuides-General? Subjects-Sports-Hiking&Camping-ExcursionGuides-General? Subjects-Travel-SpecialtyTravel-Adventure-Hiking-General? Inu Yasha 12 Egmont Manga + Anime GmbH? Rumiko Takahashi? EgmontManga+AnimeGmbH? RumikoTakahashi? クリエイター別-高橋留美子-洋書(ForeignBooks)? Substores-Anime&Manga-byCreators-RumikoTakahashi? The Wind in the Willows Atheneum? Kenneth Grahame? Ernest H. Shepard? Atheneum? KennethGrahame? ErnestH.Shepard? Subjects-Children sBooks-Authors&Illustrators,A-Z-(G)-Grahame,Kenneth? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Animals-General-Fiction? Subjects-Children sBooks-Literature-ClassicsbyAge-General? Learning from Medical Errors Clinical Problems Radcliffe Publishing Ltd? Anh Vu T. Nguyen? Dung a Nguyen? Frank John (FWD) Edwards? RadcliffePublishingLtd? AnhVuT.Nguyen? DungaNguyen? FrankJohn(FWD)Edwards? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Medicine? Subjects-Law-Family&HealthLaw-MedicalLaw&Legislation? Subjects-Medicine-Education&Training-General? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Nonfiction-Law-Family&HealthLaw-MedicalLaw&Legislation? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Science-Education-MedicalEducation? Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Microbiology and Immunology (Rapid Review) Mosby-Year Book? Ken S., Ph.D. Rosenthal? James S. Tan? Mosby-YearBook? KenS.,Ph.D.Rosenthal? JamesS.Tan? ジャンル別-mirror-test-test-subtier-Communicable? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Medicine-BasicScience-Immunology? Subjects-Medicine-BasicScience-Microbiology? Subjects-Medicine-Diseases-Communicable? Subjects-Medicine-Education&Training-TestPreparation&Review? Subjects-Professional&Technical-Medical-BasicSciences-Immunology? Subjects-Professional&Technical-Medical-BasicSciences-Microbiology? Michelin Green Guide Spain (Michelin Green Guide Spain English Edition) Michelin Travel Pubns? MichelinTravelPubns? ユーズドブック(洋書)-Travel? Subjects-Travel-Europe-Spain-General? Subjects-Travel-Reference&Tips-Guidebooks? Subjects-Travel-GuidebookSeries-Michelin-General? Subjects-Travel-GuidebookSeries-Michelin-GreenGuides? Subjects-Travel-GuidebookSeries-Michelin-Europe? Subjects-Travel-GuidebookSeries-Michelin-Spain&Portugal? Nascar Record Fact Book 2007 (Nascar Record and Fact Book) Sporting News? SportingNews? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Sports? Subjects-Nonfiction-Automotive-Racing? Subjects-Sports-Miscellaneous-MotorSports? Subjects-Sports-General? In Style Secrets of Style The complete guide to dressing your best every day Time Inc? Lisa Arbetter? Monica Lind? TimeInc? LisaArbetter? MonicaLind? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Nonfiction? Subjects-Arts&Photography-Fashion-General? Subjects-Entertainment-PopCulture-General? Subjects-Health,Mind&Body-Beauty&Fashion? Subjects-Nonfiction-SocialSciences-PopularCulture? The Glass Castle A Memoir Scribner? Jeannette Walls? Scribner? JeannetteWalls? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Entertainment? Subjects-Biographies&Memoirs-Arts&Literature-Authors? Subjects-Biographies&Memoirs-Arts&Literature-TelevisionPerformers? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Biographies&Memoirs-Family&Childhood? Subjects-Biographies&Memoirs-Memoirs? Subjects-Entertainment-Television-Biographies? Subjects-Parenting&Families-FamilyRelationships-General? Hippity Skippity Easter Cartwheel Books? Maria Fleming? Katy Bratun? CartwheelBooks? MariaFleming? KatyBratun? ユーズドブック(洋書)-Children sBooks? Substores-UnknownASINs-59? Subjects-Children sBooks-Animals-General-Fiction? Subjects-Children sBooks-People&Places-Holidays&Festivals-Easter-Fiction? From Altoids To Zima The Surprising Stories Behind 125 Brand Names Fireside? Evan Morris? Fireside? EvanMorris? Subjects-Business&Investing-Marketing&Sales-PublicRelations? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-PublicRelations? Subjects-Reference-General? The Clue in the Diary (Nancy Drew Mystery Stories) Price Stern Sloan? Carolyn Keene PriceSternSloan? CarolynKeene? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Mysteries,Espionage,&Detectives? Tailoring The Classic Guide To Sewing The Perfect Jacket Creative Pub Intl? Creative Publishing International? CreativePubIntl? CreativePublishingInternational? ユーズドブック(洋書)-Home&Garden? Subjects-Home&Garden-Crafts&Hobbies-Embroidery? Subjects-Home&Garden-Crafts&Hobbies-Fashion? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Sewing? Witch 7 Under Presure (W.I.T.C.H. Graphic Novels) Hyperion (Juv)? Tk? Hyperion(Juv)? Tk? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Literature-ScienceFiction,Fantasy,Mystery&Horror-Comics&GraphicNovels? Subjects-Comics&GraphicNovels-Children sComics? Why Not You? 28 Days to Authentic Confidence Waterbrook Pr? Valorie Burton? WaterbrookPr? ValorieBurton? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Motivation? Subjects-Health,Mind&Body-Self-Help-Motivational? Subjects-Religion&Spirituality-Christianity-ChristianLiving-General? The Wings of Icarus Alan Rodgers Books? Laurense Alma-tadema? AlanRodgersBooks? LaurenseAlma-tadema? Subjects-Literature&Fiction-General-Classics? Subjects-Literature&Fiction-General-Literary? Fashion Design (Portfolio) Laurence King Publishing? Sue Jenkyn Jones? LaurenceKingPublishing? SueJenkynJones? undefined undefined Cathedral Warner Books Inc? Nelson DeMille? WarnerBooksInc? NelsonDeMille? ユーズドブック(洋書)-Literature&Fiction? ユーズドブック(洋書)-Mystery&Thrillers? Formats-Paperback-Literature&Fiction? Formats-Paperback-Mystery&Thrillers? Substores-PaperbackStore-Literature&Fiction? Substores-PaperbackStore-Mystery&Thrillers? Subjects-Literature&Fiction-General-Contemporary? Subjects-Literature&Fiction-GenreFiction-Political? Subjects-Mystery&Thrillers-Thrillers-General? Subjects-Mystery&Thrillers-Thrillers-SpyStories&TalesofIntrigue? Moods in Wire An Extended Guide to the Fine Art of Wirewrapping (Jewelry Crafts) Originals By Ellsworth E? Ellsworth Sinclair? OriginalsByEllsworthE? EllsworthSinclair? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Art-Instruction&Reference-Reference? Subjects-Home&Garden-Crafts&Hobbies-Beadwork? Subjects-Home&Garden-Crafts&Hobbies-Jewelry? Subjects-Home&Garden-Crafts&Hobbies-Lapidary? Substores-UnknownASINs-jp-unknown2? What a Life! Stories of Amazing People Book 3 (Intermediate) Longman Pub Group? Milada Broukal? LongmanPubGroup? MiladaBroukal? Subjects-Biographies&Memoirs-General? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Reading? Subjects-Professional&Technical-Education-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Reading? Tell a Lie and Your Butt Will Grow (Zack Files) Grosset & Dunlap? Dan Greenburg? Jack E. Davis? Grosset&Dunlap? DanGreenburg? JackE.Davis? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Literature-Action&Adventure? Subjects-Children sBooks-Literature-Humorous? Love Lessons Corgi Childrens? Jacqueline Wilson? CorgiChildrens? JacquelineWilson? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Authors&Illustrators,A-Z-(W)-Wilson,Jacqueline? Subjects-Children sBooks-Literature? The Runaway Jury Delta? John Grisham? Delta? JohnGrisham? Subjects-Literature&Fiction-General-Contemporary? Subjects-Mystery&Thrillers-Thrillers-Legal? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Subjects-Mystery&Thrillers-Thrillers-Suspense? The Seat of the Soul Simon & Schuster (a)? Gary Zukav? Simon&Schuster(a)? GaryZukav? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Health,Mind&Body-BooksonCD-SelfHelp? Subjects-Health,Mind&Body-BooksonCD-PersonalGrowth? Subjects-Nonfiction-BooksonCD? Subjects-Religion&Spirituality-NewAge-General? Subjects-Religion&Spirituality-NewAge-NewThought? Subjects-Religion&Spirituality-Occult-General? Subjects-Religion&Spirituality-Spirituality-General? Subjects-Religion&Spirituality-Spirituality-PersonalTransformation? Subjects-Religion&Spirituality-Authors,A-Z-(Z)-Zukav,Gary? Natural Capitalism Creating the Next Industrial Revolution Back Bay Books? Paul Hawken? Amory B. Lovins? L. Hunter Lovins? BackBayBooks? PaulHawken? AmoryB.Lovins? L.HunterLovins? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? The Complete Book of Reading Grades 3-4 (The Complete Book) Amer Education Pub? AmerEducationPub? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Children sBooks-Religions-General? Subjects-Nonfiction-Education-Reading? Subjects-Nonfiction-Education-LessonPlanning? Subjects-Professional&Technical-Education-LessonPlanning? Subjects-Professional&Technical-Education-SpecificSkills-LanguageArts? 洋書
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第２幕 第１場 （高い木立に満ちたイゾルデの居室の前庭。舞台脇に位置する上り階段がそこへとつながっている。明るくて風情のある夏の夜。開け放たれたドアのたもとには、燃えさかる松明が立てられている。狩の響き。ブランゲーネは、居室の脇の階段の上に立ちながら、ますます離れたところから聞こえてくる狩の一行の様子を目で追っている。不安に駆られて居室を振り返って見ると、イゾルデが近づいて来るのが見える。イゾルデは居室から出て、燃えるようにきびきびと彼女のもとへと進んでくる。） ISOLDE あなたにはまだ聞こえるの？あんな音、 私にはとっくに遠くに行ってしまったのに。 BRANGÄNE （耳を澄ましながら） まだまだ近くにいます、 はっきりと響いて来ます。 ISOLDE （耳を澄ましながら） 心配と恐怖のあまり 耳がおかしくなっているのよ。 あなたを惑わせているのは 木の葉が、さやさやといっている音だわ。 風が微笑みながら木の葉を揺すっているのだもの。 BRANGÄNE あなたこそ、ご自身の願いの激しさに 惑わされているのです。 あなたに聞こえる音は、ご自身の妄想です。 （耳を澄ます） 私にはホルンの音が聞こえます・・・ ISOLDE （再び耳を澄ましながら） ホルンの音なら こんなにたおやかに響くものですか。 泉から、やさしく、 さらさらと流れ出る波の音が こんなにも喜ばしくざわめいて来るのです。 ホルンの音がまだ轟いてるなら、 どうして私にそれが聞こえるでしょう？ 夜の沈黙の中で 私に笑いかけるのはただあの泉だけ。 静まりかえった夜の中で あの方は私を待っている・・・ ホルンがまだ近くで鳴っているなどと言って、 あなたは、その方を私に近づけずにおくつもり？ BRANGÄNE あなたを待っている方・・・ おお、私の警告を聞いて下さいまし・・・！ この夜その方を密告者が狙っているのです。 あなたの目が見えなくなったからといって、 世間の目まで見えなくなったと よもやお思いなのですか？ あの時、船べりで トリスタン様の震える手から、 自分をほとんど見失い 血の気の失せた花嫁を マルケ王がお出迎えしたとき、 あらゆる者が当惑して よろめいている方を見るばかりだったとき、 お心映えの優しい王様は 穏やかなお気遣いを見せて、 あなたが耐え忍んだ長い航海の苦労を 大声で悲しまれました。 ところが、私は気がつきました、 ただ一人の男だけが、 トリスタン様だけに目をやっているのを。 邪悪な悪だくみと 探るような目つきで その男はトリスタン様の表情の中から 自分に役立つことを読み取ろうとしていたのです。 この男が陰険に耳をそばだてているところに 出くわすこともしばしばでした。 ひそかにあなたがたを陥れようとする男、 メロートを警戒してください！ ISOLDE メロート様のことを言っているの？ おやおや、勘違いもいいところね！ あの方はトリスタン様の もっとも誠実なお友達じゃなくって？ 私の大切な人が私を避けねばならない時は 決まってメロート様と二人でいるじゃないですか。 BRANGÄNE 私にあの男を怪しいと思わせているところが あなたには好ましく見えるのです！ トリスタン様からマルケ王のもとへ メロートの道は通じていて、 そこにあの男は災いの種を播くのです。 今日、人々が会議の場で 今宵の狩を こんなにあわてて素早く決めたのも、 あなたが呑気に思っている以上に もっと高貴な獲物を 猟師の悪だくみは狙っているからなのです。 ISOLDE お友達に良かれと思い、 このたくらみを あくまで同情から 友であるメロート様は仕組まれたのです。 誠実な方をののしるつもりなの？ お前なんかより余程 あの方のほうが私を気遣ってくれるわ、 お前が私に閉ざしたものを あの方は開いて見せてくれるのだから。 おお、ぐずぐずしているままの苦痛は勘弁して！ 灯りよ、ブランゲーネ！ おお、灯りをよこしなさい！ この光の 最後のかがやきを消すのです！ ほんとうの夜になるように 合図するのです。 もうすでに夜は、森の中、家の中を 寝静まらさせて、 私の心をも、とっくに 歓喜に満ちたおののきで満たしています。 おお、光を消しなさい、 人を追い払うかがやきを消しなさい！ 愛する人を迎え入れるために！ BRANGÄNE ああ・・・警告の灯りはそのままにして下さい！ あなたに危険を知らせるためなのに！ おお、かなしい！かなしい！ ああ、なんと哀れな私でしょう！ あの忌まわしい飲み物！ 不忠にも、 たった一度きり 姫様の意向に背いたばかりに！ もし耳をふさぎ目を閉じて意向に従えば、 あなたがなさろうとした行為の結末は すなわち死でした。 でも、あなたの恥辱、 恥ずべき苦しみ・・・ それが私のした行為の結末でした。 罪深い私が、それを知らねばならぬとは！ ISOLDE あなたのした行為ですって？ おお、なんと馬鹿なひと！ 恋の女神を知らないとでも？ そして、その魔力を知らないとでも？ 最も大胆な心を持つ 女王よ？ 世界の全てを生成する 支配者よ？ 生と死は 彼女のしもべ・・・ 女神は歓喜と苦悩から、生と死を織り上げ、 嫉妬すらも愛に変えるのです。 死の薬を 不遜にも私は手に取りましたが、 恋の女神は、それを 私の手の及ばぬところへ取り上げてしまわれた。 いちど死を覚悟した女を ひとまず生かしておいて 死の薬を 彼女の手にお収めになったのです。 もう、どうなってもいいの。 どんな結末を迎えてもいい。 どんな運命になったっていい。 どんな所に連れて行かれてもいい。 私は恋の女神のものになったの。 だから女神への忠節を尽くさせて！ BRANGÄNE もはや恋の 悪意に満ちた薬が あなたの理性の光を奪い去ってしまい、 私がいくら警告しても、 あなた様は分かってくれないとしても、 今日だけは聞いてください・・・ ああ･･･私の願いを聞いてください！ あなたを危険から守ってくれる明るい光を・・・ 今日だけは、今日だけは、 あの明るい松明を消さないでください！ ISOLDE 私の胸の中で 炎を煽りたてている女神、 私の心を 燃え立たせている女神、 魂の昼となって 私に笑いかけている女神･･･そうよ、 恋の女神はこのように望んでいるのです・・・ 「夜よ、来るのだ！ そこで明るくかがやけ！ （松明に駆け寄って） お前の松明の光なんか消え失せろ。」 （ドアから松明を取る） お前は見張り台へ行って、 そこで忠実に見張りなさい！ この松明･･･ これが、たとえ私の命の光だとしても・・・ 私は、笑いながら、 ためらわず消し去るわ！ （松明を地面に投げ捨てたので、松明の火は次第に消えていく。ブランゲーネは動転しながらもこちらに背を向けて、外に通じる石段づたいに鋸壁の上まで登りつめるので、彼女の姿はゆっくりと見えなくなっていく。イゾルデは、木立に囲まれた小道のほうに、初めは内気そうに耳を澄まし、目をこらしている。しかし、次第に高まっていく期待に動かされて、木立の小道のほうへと近寄っていき、ますます確信を深めたように目をこらす。ハンカチーフで行っていた彼女の合図は、初めは時々でしかなかったが、徐々に回数を増し、ついには情熱的な焦燥の中で、どんどん速くなっていく。突然の恍惚とした身振りは、彼女があの友を彼方に認めたことを物語る。彼女はますます高く伸びあがり、この空間をもっと良く見渡そうと石段へと急いで戻りながら、石段の最上段から近づいて来る者に合図をする。そしてその者に向かって弾けるように飛んでいく。） 第２場 TRISTAN （飛び込んでくる） イゾルデ！いとしい人！ ISOLDE トリスタン！いとしい方！ （二人は嵐のように抱きしめ合い、そのまま舞台前景へと出てくる） あなたはあたしのもの？ TRISTAN また君を手に入れたの？ ISOLDE あたし、あなたをつかまえていいの？ TRISTAN 信じていいんだろうか？ ISOLDE やっとだわ！やっと！ TRISTAN 僕の胸へ！ ISOLDE あたしが感じているのは、ほんとうにあなた？ TRISTAN 君を見ているのは僕自身？ ISOLDE これがあなたの眼？ TRISTAN これが君の口？ ISOLDE ここにあなたの手？ TRISTAN ここに君の心臓？ ISOLDE あたしなの？あなたなの？ あたし、あなたをしっかりつかまえている？ TRISTAN 僕なのか？君なのか？ まやかしじゃないの？ 【二人】 夢じゃないかしら？ おお、魂の歓喜、 おお、最高に甘く気高く、 最高に向う見ずで美しい、 最高に幸せな歓び！ TRISTAN たぐいのない！ ISOLDE 豊饒の！ TRISTAN 至福の！ ISOLDE 永遠の！ TRISTAN 永遠の！ ISOLDE 予感されたことも、 認識されたこともない！ TRISTAN 感情にあふれ 高く崇高な！ ISOLDE 喜びの歓声！ TRISTAN 歓びの恍惚！ 【二人】 天にも届くほどの 世界の陶酔！ ISOLDE あたしのもの！トリスタンはあたしのもの！ TRISTAN 僕のもの！イゾルデは僕のもの！ 【二人】 私のものであり、あなたのもの！ 永遠に、永遠にひとつのもの！ ISOLDE なんて長い間、遠かったの！ なんて遠かったの！この長い間！ TRISTAN なんと遠いのだ、こんなに近いのに！ こんなに近いのに、なんと遠いのだ！ ISOLDE おお、お友達のかたき！ 意地悪な「遠さ」！ 鈍重な時間の ぐずぐずした「長さ」！ TRISTAN おお、「遠さ」と「近さ」、 無情にも二つに引き裂かれたもの！ 愛らしい「近さ」！ 味気ない「遠さ」！ ISOLDE あなたは暗闇の中に、 あたしは光の中にいた！ TRISTAN その光だ！その光だ！ おお、この光は、 なんと長い間消えなかったろう！ 太陽が沈み、 昼が遠ざかっても、 昼はその嫉妬を 押し殺そうともしなかった。 人を追い払うためのしるしを あらたに灯し、 そのしるしを愛する人の扉のもとに置き、 私がその人のもとへ行けないようにしたのだ。 ISOLDE でも、愛する者の手は その光を消したわ、 侍女は抵抗しましたが、 あたしは恐れなかった。 恋の女神のお力とご加護を得て 昼に反抗したのです！ TRISTAN その昼だ！その昼！ あの陰険な昼を、 あの最も手強い敵を、 憎み、非難しよう！ あなたが、あの光にそうしたように、 ああ、僕もあの松明を、 愛の苦しみに報いるために、 厚かましい昼の目の前で消せればいいのに！ あいつがあの明るさでもって 呼び起こさない 苦難が一つでもあるだろうか、 苦痛が一つでもあるだろうか？ 夜の黄昏どきの 壮麗さの中にあってさえ、 可愛いあの人が、自分の家でも昼を心に抱き、 脅すように私に差し出した！ ISOLDE 愛する女が昼を 自分の家の中で抱いていたとすれば、 自分の心の中で 明らかに、混乱しながら 反抗的に昼を抱いていたのは、 かつては、あたしの愛する人でした。 トリスタン・・・あたしを欺いた人！ その方の中から嘘をついたのは、 昼ではなかったの？ その方がアイルランドに 求婚の旅に出て、 マルケ様にあたしを娶せようとし、 死に忠誠を捧げた時。 TRISTAN その昼です！その昼、 それがあなたの周りできらめき、 その人が太陽にも 比されるところにまで導き、 最上の栄誉の 輝きと光の中で イゾルデを私から奪い去ろうとしたのです。 その情景は私の眼を ひどく魅了しましたが、 私の心は深く 地面へと押しつけられました。 こんな明るい昼の明りの中で どうしてイゾルデが私のものになったでしょう？ ISOLDE あなたのものではなかったでしょうか、 あなたを選んだこの女は？ なぜ意地悪な昼は あなたをそそのかして、 あなたに定められたこの女を あなたが裏切るようにさせたのでしょう？ TRISTAN あなたの周りで 気高い壮麗さできらめいていたもの、 栄誉のかがやき、 名声の力、 そうしたものに執心するほど、 私は妄想のとりこになっていた。 かすかな光の 一点の曇りもない明りとともに 私を頭の天辺から 明るく照らしていたもの、 世界の名誉にみちた 昼の太陽が、 その光線の 空しい喜びとともに、 私の頭の天辺を 貫いて 心の奥底の 深い小部屋にまで達したのです。 そのとき、清らかな夜の中で 暗闇に閉ざされながら目ざめていたもの、 知りもせず予感もせずに、 私がその黄昏の中に感じ取っていたもの、 私の両眼があえて見ることが できなかった一つの映像が、 昼の明りに照らされて、かすかに光りながら 私の眼の前に開かれたのです。 私にとって賞賛に値し 気高いと思われたものを、 私は高らかに 全軍の前で賞賛しました。 すべての領民の前で 高らかに褒め称えたのです、 地上で最も美しい 王の花嫁を。 昼が私の身に呼び起こした 羨望、 私の幸福が呼び覚ました 嫉妬、 栄誉と名声を気の重いものとした 妬み、 こうした全てに私は逆らい、 誠実に決心したのです、 栄誉と名声を保持するために 私自身がアイルランドへ旅立つことを。 ISOLDE ああ、何と空しい昼の奴隷だったの！ あなたを欺いたものに 欺かれて、 どんなにあたしはあなたのことを 愛しつつも苦しまねばならなかったか。 昼の偽りにみちた 華麗さの中で、 昼のきらめきの 欺瞞に囚われて、 愛が熱く その方を抱いている部分で、 心の最も奥深い部分で あなたを私ははっきりと憎みました。 ああ、でも心の奥底では なんと傷が深くうずいたことでしょう。 私がひそかに抱いていたものは、 あの時、何といとわしく思えたことでしょう、 昼の明りの中で 忠誠を心に抱いた片方の人が 愛の眼差しを失って、 敵として私の前に現れたのですから！ あなたを裏切り者として 私に仕向けたもの、 あの昼の光から 私は逃れ去ろうとしました、 夜を目がけて あなたを一緒に連れて行こうとしました。 そこは、私の心に 偽りの終わりが約束され、 嘘を思いつく 妄想が溶けていくところ・・・ そこであなたと 永遠の恋を飲み干さんがため、 私とともに一つになって あなたをも死に捧げようと望んだのです。 TRISTAN あなたの手の中に その甘美な死はあったのです。 あの時、その手が私に差し出した その死を私が認め、 気高くもしっかりと 私に 罪の償いを約束するものを 示してくれたときに。 すると柔らかに 崇高な力につつまれて 私の胸の中で夜が暮れていきました。 その時、私の昼は終わったのです。 ISOLDE でも、ああ、偽りの飲み物は あなたを欺いて、 もう一度、夜はあなたから 姿を隠したのです。 ただ死の眼前に横たわっていた者を あの飲み物はまたも昼に投げ返したのです！ TRISTAN おお、飲み物に称えあれ！ その液体に称えあれ！ その魔術の 気高い力に称えあれ！ あの飲み物が私に注がれた 死の扉を通して、 その広々と開け放たれた場所で、 その飲み物は私に、私がその中で ただ夢みながら起きていただけだった 夜の奇蹟の王国を開いてみせたのです。 心の隠された小部屋の中の あの映像から、 その飲み物は、昼の 欺くような明るさを取り払い、 私の眼が夜を見通して、本当のことを 見ることができるようにしてくれたのです。 ISOLDE ですが、追い払われた昼は その復讐をしたのです。 昼があなたの罪と うまく折り合いをつけてしまい、 たそがれゆく夜が あなたに示してくれたものを、 あなたは、昼間の星ともいうべき 王の権力へと 譲り渡さねばならなかった・・・ ひとりさびしく 空しい壮麗さの中で、弱く光りながら そこで生きていかねばならなかった。 そんなことがどうやって私に耐え忍べたと？ そして今もどうやって耐え忍べると？ TRISTAN おお、ぼくたちは今や 夜に捧げられた者たちなのです！ あの陰険な昼、 羨望に心はやる昼、 その昼の偽りがぼくたちを引き離したり、 嘘がぼくたちを欺くことは、もうできない！ あの空しい壮麗さ、 あの大言壮語する明るさは 夜がその眼差しを向けた者には 嘲笑いの種でしかありません。 昼のゆらめく光が かりそめにぱっと輝いても ぼくたちの眼はもう眩まない。 死の夜を 愛しながら見出した者・・・ 夜がその深い秘密を 打ち明けた者・・・ その者の前では、昼の嘘、 名声や栄誉、 権力や利益は、 どんなに輝いて気高かろうが、 太陽の前の空しい塵のように ばらばらに解きほぐされてしまう！ 昼の空しい妄想の中でその者に残されたのは ただ一つ、あこがれること・・・ 聖なる夜に向けて あこがれること、 その夜の中では、原初から永遠に、 ただ一つ真実なものとして 愛の喜びがその者に笑いかけているのです！ （トリスタンは柔らかに彼女を傍に引き寄せて花の咲いたベンチに座らせ、彼女の膝の上に身を沈め、彼女の腕の中に頭を擦りよせる） 【二人】 おお、沈み来たれ、 愛の夜よ、 忘れさせておくれ、 私が生きていることを。 お前の胎内に 私を引き取り、 私をこの世から 引きはがしておくれ！ TRISTAN 最後の松明の灯りも いまは消えた。 ISOLDE あたしたちが考えたこと、 あたしたちに思えたこと、 TRISTAN すべての考え・・・ ISOLDE すべての想い・・・ 【二人】 聖なる黄昏どきの 気高き予感は 妄想のぞっとするような感覚を 世を救いながら消し去っていく。 ISOLDE あたしたちの胸のうちに 太陽は身を隠し、 喜びの星々が 笑いながら輝く。 TRISTAN あなたの魔力に 柔らかに絡め取られ、 あなたの視線に 甘く溶かされ。 ISOLDE あなたの心には心を寄せ、 口には口を寄せて。 TRISTAN ひとつの息吹に ぴったり結びついて。 【二人】 喜びに眩んで 我が視線がさまよおうとも、 眩惑されて この世界が色褪せようとも、 ISOLDE 昼がまやかしで あたしたちを照らそうとも、 TRISTAN 欺くような妄想の前に 引きずり出されようとも、 【二人】 そんなことがあろうとも 私が、この世界そのもの！ それは、歓喜のいとも気高き織物・・・ 愛のいとも神聖なる生命・・・ そして決して再び目覚めることなき、 妄念を離れた やさしく目ざめた願い。 （トリスタンとイゾルデは完き恍惚の状態に沈潜し、その恍惚の中で頭を寄せ合いながら花咲くベンチの上にあおむけになり、そのままでいる） 【ブランゲーネの声】 （見張りの鋸壁のほうから） ひとりさびしく見張る 夜のしじま・・・ 愛の夢が微笑みかける お二人さん・・・ この私の呼び声に 気がついて！ 眠るお二人に 良からぬことが迫っています！ 不安でたまらない私が、 起きて！と叫んでいるのです。 気がついて！ 気がついて！ もうすぐ夜が明けますわ。 ISOLDE （静かに） 聞いた？いとしい人！ TRISTAN （同じように静かに） このまま死なせてくれ！ ISOLDE （徐々に少し身をもたげながら） うらやんで見はっている！ TRISTAN （あおむけになったままで） 絶対目覚めるものか！ ISOLDE でもあの昼は トリスタンを起こさずにおかないはずでは？ TRISTAN （少し頭をもたげながら） あんな昼など 死に打ち負かされたままでいい！ ISOLDE （激しくなく） 昼と死、それは 同じような勢いで あたしたちの愛に迫ってくるよう 定められているのではないかしら？ TRISTAN （ますます身を高く起こしながら） ぼくたちの愛？ トリスタンの愛？ 君の？ぼくの？ イゾルデの愛？ どんな死の勢いが その愛を打ち負かせるというんだい？ あの力強い死・・・ それがぼくの前に立ちふさがり、 ぼくの体と命を 脅かしても、 そしてぼくはこの愛のためなら この体と命をわざと捨てるのだけれど、 そうだとしても、死の勢いがこの愛自身に 触れることなど一体あり得るだろうか？ （頭をますますぴったりとイゾルデに擦り寄せながら） もしや僕が、そのためなら喜んで死ねる この愛のために今死んだとしても、 この愛がぼくとともに 死ぬなどということがあり得るだろうか？ 永遠に生き続けるはずの愛が、 ぼくとともに終わるなどということが？ そう、そしてこの男の愛が死なないんだとしたら、 どうして、トリスタンがこの愛のために 死ぬということが、あり得るんだい？ ISOLDE でもあたしたちの愛は 「トリスタン、と・・・イゾルデ」 という名前じゃないかしら？ この甘いことば・・・「と」。 その「と」が取り持って結んでいる 愛のきずな、 それはトリスタンがもしや死んでしまえば、 死がばらばらに壊してしまうんじゃないかしら？ TRISTAN （きわめて冷静に） 死によって何が死ぬというの？ 死ぬのはただ、ぼくたちの邪魔をするものだけ・・・ トリスタンが 変わらずイゾルデを愛し、永遠に 彼女のために生きることを邪魔するものだけ・・・ ISOLDE でもこのことば・・・「と」 それが壊されてしまったら、 イゾルデ自身の命とともに、 トリスタンも死の手に委ねられるかも・・・ それ以外のことが考えられる？ （トリスタンは、意味深い身振りとともに、イゾルデをやさしく引き寄せて） TRISTAN ならばいっそ死んでしまったほうが いいのかい、離れずに、 永遠に一体になって 終わりなく、 目覚めることなく、 不安を抱くことなく、 名も無く 愛にかき抱かれ、 自らを捧げ尽くして、 この愛のためにのみ生きたほうが！ ISOLDE （思いに沈み恍惚の中にあるように彼を見上げて） いっそ死んでしまったほうが よいのでしょうか、離れずに・・・ TRISTAN 永遠に一体になって 終わりなく・・・ ISOLDE 目覚めることなく・・・ TRISTAN 不安を抱くことなく・・・ 【二人】 名も無く 愛にかき抱かれ、 自らを捧げ尽くして、 この愛のためにのみ生きたほうが！ （イゾルデは圧倒されたように頭を彼の胸に傾けながら） 【ブランゲーネの声】 （前と同じく見張りの鋸壁のほうから） 気がついて！ 気がついて！ もう夜は昼に取って代わられるわ。 TRISTAN （微笑みながらイゾルデに頭を垂れて） 聞いてなけりゃいけないのかい？ ISOLDE （夢中になってトリスタンを見上げながら） このまま死なせてよ！ TRISTAN （ますます真剣に） 起きてなけりゃいけないの？ ISOLDE （ますます感動に震えながら） 絶対に起きないわ！ TRISTAN （さらに迫るように） なおもあの昼が トリスタンを起こす定めだとでも？ ISOLDE （陶酔して） 昼なんか 死に打ち負かされればいいのよ！ TRISTAN 昼の脅しに、いま、 ぼくたちは逆らったのだね？ ISOLDE （募りゆく陶酔とともに） 昼のまやかしを永遠に逃れたのよ。 TRISTAN 昼の白みゆく光が、ぼくたちを 追い払うことはもう決してないのだね？ ISOLDE （大きな身振りで完全に身を起こしながら） あたしたちにとって夜は永遠に続くのよ！ （トリスタンは彼女を追って身を起こし、熱狂的な陶酔の中で抱きしめあう） 【二人】 おお、永遠の夜、 甘美な夜！ 気高く崇高な 愛の夜！ お前が抱きしめた者、 お前が笑いかけた者、 それらの者は、どうして不安を抱かずに、 お前から目覚めることができようか？ そんな不安は追い払ってしまえ、 やさしき死よ、 あこがれに満ちて望まれている 愛の死よ！ お前の腕の中で、 お前に浄められ、 原初の神聖さに温められて、 目覚めの苦しみから解放されるのだ！ TRISTAN どうやって捉えよう、 どうやって諦めよう、 この喜びを・・・ 【二人】 太陽からも遠く、 昼がもたらす別れの 嘆きからも遠く離れて！ ISOLDE 妄想もなく・・・ TRISTAN 柔らかなあこがれ、 ISOLDE 不安を抱くことなく・・・ TRISTAN いとしき欲求。 嘆きもなく・・・ 【二人】 気高く消え去っていく。 ISOLDE 切なく求めることもなく・・・ 【二人】 やさしく闇につつまれて。 TRISTAN 避けることなく・・・ 【二人】 離れることなく、 ぴったりと二人きりになり、 永遠に我が家に帰り、 計り知れない空間で 至福の夢を見る。 TRISTAN トリスタンは君、 ぼくはイゾルデ、 もうトリスタンではない！ ISOLDE あなたはイゾルデ、 トリスタンはあたし、 もうイゾルデじゃない！ 【二人】 名づけることなく、 別れることなく、 新たに認め合い、 新たに燃え立ち、 永遠に終わらず、 ひとつの意識になる・・・ それは熱く燃え上がる胸の 至高の愛の歓び！ （二人は陶然とした状態のままでいる） 第３場 （ブランゲーネが甲高い叫び声を発する） KURWENAL （抜き身の剣とともに突入してくる） お逃げください、トリスタン様！ （トリスタンは驚いて背後の舞台のほうへ振り向く。マルケ王、メロート、その他の廷臣たちは狩の衣装に身を包んで、木立の合間の道をきびきびと舞台全面に進み出て、愛し合う二人の前に驚いて立ちすくむ。ブランゲーネは、時を同じくして城壁から降りて来て、まっしぐらにイゾルデのもとにやって来る。イゾルデは、無意識の恥ずかしさに捉えられ、顔をそむけて、花咲くベンチの上にもたれかかる。同様にトリスタンも無意識的に体を動かしつつも、片方の手でマントを広げて、イゾルデをやって来た者の視線から隠そうとする。彼は長い間この状態のまま、身じろぎもせず凍りついたような視線を男たちに向けたが、男たちは思いのままに動きながらも、目だけはトリスタンをじっと見ている。朝が白みゆく。） TRISTAN （より長い間の沈黙の後で） 味気ない昼だ、 これが最後だな！ MELOT （マルケ王に） 殿、お言葉をいただかねばなりませぬぞ、 私めの訴えは正しかったでしょうか？ 私めの首を質草にしましたが、 首はつながったと考えてようございますか？ 私は殿にお示ししたのでございます、 それも明白な行為の現場で。 殿の名声と栄誉を 私は忠実に 恥辱からお守り申し上げたのでございます。 MARKE （深い衝撃を受けたあまり、震えた声で） 本当にそうしたというのか？ そんなふうに思えるのか？ そこの者を見るがよい、 誠実な中でも誠実な男だぞ、 その者に目をやるがよい、 親友の中でも最も親しき者だぞ、 そんな男の誠実の 最も自由な振舞いが 我が心を、こんなにも 敵意に満ちた裏切りで傷つけるとは！ トリスタンが私を欺いたのなら、 いったい私はどんな希望を抱けば良いのだ？ トリスタンが 私に嘘をついていたことが メロートの忠告により 明らかになったとしても。 TRISTAN （痙攣するように激しく） 昼の幽霊！ 明け方の悪夢！ 嘘つきで、みじめな！ 消えてしまえ、行ってしまえ！ MARKE （深く心を傷つけて） 私に、そう言うのか？ そんなことを、トリスタンよ、私に・・・？ どこに誠実があるというのだ？ トリスタンが私を欺いた今・・・ 名誉と正しい作法なぞ どこにあるというのだ？ すべての名誉の砦たる トリスタンがそれらをかなぐり捨てたからには・・・ トリスタンが楯の紋章にと 選んだ「美徳」・・・ その美徳は今や どこへ消え去ってしまったのだ？ 美徳が我が友のもとを去った今、 トリスタンが私を裏切った今となっては・・・ （トリスタンは視線をゆっくりと地面に落としていく。マルケ王が言葉を続ける間、彼の表情には悲しみの色が次第に濃く読み取られる。） 何のためだったのか、 あの数知れぬ勲功は・・・ あの栄誉に満ちた名声、 あの偉大なる権力、それらはみなお前が このマルケのために勝ち取ったものなのに、 栄誉と名声は、 偉大さと権力は、 あの数知れぬ 勲功は、マルケに 与える恥辱の代わりにはならなかったのか？ 王の感謝は 少なすぎるとでも思ったのか？ お前が王のために勝ち取ったもの、 名声と王国を、王はお前に 遺産として持たせようと思ったというのに・・・ かつて子を作らずに 妻が死んだとき、 余りにも王はお前を愛していたので、 決して新たに このマルケ王は妃をとろうとはしなかった。 たしかに、宮廷でも領地でも あらゆる領民が、 頼むように、脅すように、 王に詰め寄り、 我が国にも女王がほしい、 お妃様を選びなさいと懇請した・・・ そしてお前自身さえも、 この叔父に 宮廷の願いを、 領地の望みを、 穏便に叶えなさいと懇願した・・・ それでも、宮廷と領地にあらがい、 お前にさえもあらがい、 抜け目なく、うまいこと 王はそれを拒んだのだ。しかし、 最後にはトリスタン、お前が王を脅迫したのだ。 永遠にこの宮廷と 領地に別れを告げるだろう、 お前自身が 王に花嫁を娶せるために 遣わされないならば、などと言って。 だからこそ王は成るがままに任せたのだ・・・ お前の胆力が私のために手に入れた こんなにも素晴らしい女人を いったい誰が見ることができよう？ 誰が知りあうことができよう？ 誰が誇りを持って 私のものだと言うことができよう？ わが身の幸福を自ら讃えることなくしては・・・ 私の意志があえて 近寄ろうとしなかったもの、 我が願いが、畏敬に満ちつつも 内気に諦めていたもの、 あまりに素晴らしすぎて、 愛らしく高貴に、 我が魂を 癒さずにはいられぬもの、 そんな豪奢な花嫁を 敵意と危険をものともせず、 お前は私に捧げてくれたのだ。 今やそんな持ち物のゆえに、 お前は我が心を 常の場合よりも 苦痛に対して感じやすくしてしまった。 その部分、私の最もやわらかく、 感じやすく、むき出しの部分が 傷つけられたからには、 決してもはや 回復することは望めない・・・ 呪われた者よ、 なぜ、こんなにもえぐるように、 私のその部分に傷を負わせるのだ？ なぜ、武器に塗られた 苦しめる毒でもって、その部分を傷つける？ その毒は、私の悟性と脳を じりじりと焦がすように傷つけ、 私が友人をもはや 信頼できないようにし、 私のとらわれない心を 疑いで一杯にし、 私をして、夜の暗闇に紛れて こっそり聞き耳を立てながら 友達のもとに忍び寄らせ、 私の名誉に終止符を打たせようというのに。 いかなる天国によっても救い得ない この地獄が、なぜ私のもとに？ いかなる悲惨な状態でも償えない この恥辱が、なぜ私のもとに？ この、測り知ることができないほど深く 謎めいた理由を、 誰が世間に向けて示してくれるというのだ？ TRISTAN （同情に満ちてマルケ王に向けて目を上げながら） おお、王よ、それを 私はあなたに言うことはできない。 そして、あなたが問いかけたことは、 あなたには決してわからないことです。 （あこがれに満ちて彼を見上げているイゾルデの方に向いながら） これからトリスタンが行くところへ、 イゾルデ、あなたはついてきてくれますか？ トリスタンが言っているその国とは 太陽の光が射さないところ・・・ それは暗い 夜の国。 その国から母は 私を送り出した。 その時、母は死にながら 私をみごもり、 死にながら 光のもとへと送り出した。 私を産んだとき、 母の愛の隠れ家だったのは 夜の奇蹟の国で、 その夜から私は、あの時、目ざめたのです。 あなたにトリスタンを贈ってくれた奇蹟の国・・・ その国へと、ご案内するのです。 ついてきてくれますか？ 誠実に、愛らしく・・・ イゾルデ、さあおっしゃってください！ ISOLDE あなたという友が 異国の王妃として私を求めたとき、 その悪意に満ちた友にさえ 誠実に、愛らしく イゾルデはついていかねばならなかった。 今、あなたがあなた本来の場所へ行き、 あなたの遺産を私に示そうというのなら、 どうして、その国を避けるはずがあるでしょう？ その国は全ての世界を包んでいるのですから・・・ トリスタンの家であり故郷であるところ、 そこへイゾルデも参ります。 誠実に愛らしく あなたに従います。 さあ、その道をイゾルデにお示しください！ （トリスタンはゆっくりと彼女に身を屈め、やさしく額に口づけする。・・メロートは憤激のあまり飛び上がる） MELOT （剣を抜きながら） 裏切り者め！こいつ！ 報いをあたえねば！王よ！ こんな恥辱を我慢できるとでも？ TRISTAN （自らの剣を抜き、素早く振り返る） 私と命のやり取りをしようというのは誰だ？ （メロートに視線を向けて） この男は我が友だった。 私を誰よりも大切なものとして愛してくれた。 私の栄誉と名声のために 誰よりも心を砕いてくれた。 そして我が心を 思いあがらせ、 群臣が 私に迫るように仕向けたのだ。 もっと栄誉と名声を積み上げるようにと・・・ 王にあなたを娶せるようにと・・・ イゾルデ、あなたの眼差しは あの男の眼をも眩ませたのです。 嫉妬のあまり、この友は 私を裏切ったのです、 そう、私が裏切った王のために！ （メロートに突進していく） 用意はいいか、メロート！ （メロートが剣を突き出すと、トリスタンは自らの剣を取り落とし、傷を負ってクルヴェナールの腕の中に沈み込む。イゾルデはトリスタンの胸に身を投げる。マルケ王はメロートを押しとどめる。素早く幕が降りる） ZWEITER AUFZUG ERSTE SZENE Garten mit hohen Bäumen vor dem Gemach Isoldes, zu welchem, seitwärts gelegen, Stufen hinaufführen. Helle, anmutige Sommernacht. An der geöffneten Türe ist eine brennende Fackel aufgesteckt. Jagdgetön. Brangäne, auf den Stufen am Gemach, späht dem immer entfernter vernehmbaren Jagdtrosse nach. Sie blickt ängstlich in das Gemach zurück, darin sie Isolde nahen sieht. Zu ihr tritt aus dem Gemach, feurig bewegt, Isolde ISOLDE Hörst du sie noch? Mir schwand schon fern der Klang. BRANGÄNE lauschend Noch sind sie nah; deutlich tönt s daher. ISOLDE lauschend Sorgende Furcht beirrt dein Ohr. Dich täuscht des Laubes säuselnd Getön, das lachend schüttelt der Wind. BRANGÄNE Dich täuscht des Wunsches Ungestüm, zu vernehmen, was du wähnst. Sie lauscht Ich höre der Hörner Schall. ISOLDE wieder lauschend Nicht Hörnerschall tönt so hold, des Quelles sanft rieselnde Welle rauscht so wonnig daher. Wie hört ich sie, tosten noch Hörner? Im Schweigen der Nacht nur lacht mir der Quell. Der meiner harrt in schweigender Nacht, als ob Hörner noch nah dir schallten, willst du ihn fern mir halten? BRANGÄNE Der deiner harrt --- o hör mein Warnen! --- des harren Späher zur Nacht. Weil du erblindet, wähnst du den Blick der Welt erblödet für euch? Da dort an Schiffes Bord von Tristans bebender Hand die bleiche Braut, kaum ihrer mächtig, König Marke empfing, als alles verwirrt auf die Wankende sah, der güt ge König, mild besorgt, die Mühen der langen Fahrt, die du littest, laut beklagt ein einz ger war s, ich achtet es wohl, der nur Tristan fasst ins Auge. Mit böslicher List, lauerndem Blick sucht er in seiner Miene zu finden, was ihm diene. Tückisch lauschend treff ich ihn oft der heimlich euch umgarnt, vor Melot seid gewarnt! ISOLDE Meinst du Herrn Melot? Oh, wie du dich trügst! Ist er nicht Tristans treuester Freund? Muss mein Trauter mich meiden, dann weilt er bei Melot allein. BRANGÄNE Was mir ihn verdächtig, macht dir ihn teuer! Von Tristan zu Marke ist Melots Weg; dort sät er üble Saat. Die heut im Rat dies nächtliche Jagen so eilig schnell beschlossen, einem edlern Wild, als dein Wähnen meint, gilt ihre Jägerslist. ISOLDE Dem Freund zulieb erfand diese List aus Mitleid Melot, der Freund. Nun willst du den Treuen schelten? Besser als du sorgt er für mich; ihm öffnet er, was mir du sperrst. O spar mir des Zögerns Not! Das Zeichen, Brangäne! O gib das Zeichen! Lösche des Lichtes letzten Schein! Dass ganz sie sich neige, winke der Nacht. Schon goss sie ihr Schweigen durch Hain und Haus, schon füllt sie das Herz mit wonnigem Graus. O lösche das Licht nun aus, lösche den scheuchenden Schein! Lass meinen Liebsten ein! BRANGÄNE O lass die warnende Zünde, lass die Gefahr sie dir zeigen! O wehe! Wehe! Ach, mir Armen! Des unseligen Trankes! Dass ich untreu einmal nur der Herrin Willen trog! Gehorcht ich taub und blind, dein Werk war dann der Tod. Doch deine Schmach, deine schmählichste Not mein Werk, muss ich Schuld ge es wissen? ISOLDE Dein Werk? O tör ge Magd! Frau Minne kenntest du nicht? Nicht ihres Zaubers Macht? Des kühnsten Mutes Königin? Des Weltenwerdens Wälterin? Leben und Tod sind untertan ihr, die sie webt aus Lust und Leid, in Liebe wandelnd den Neid. Des Todes Werk, nahm ich s vermessen zur Hand, Frau Minne hat es meiner Macht entwandt. Die Todgeweihte nahm sie in Pfand, fasste das Werk in ihre Hand. Wie sie es wendet, wie sie es endet, was sie mir küre, wohin mich führe, ihr ward ich zu eigen num lass mich Gehorsam zeigen! BRANGÄNE Und musste der Minne tückischer Trank des Sinnes Licht dir verlöschen, darfst du nicht sehen, wenn ich dich warne nur heute hör, o hör mein Flehen! Der Gefahr leuchtendes Licht, nur heute, heut die Fackel dort lösche nicht! ISOLDE Die im Busen mir die Glut entfacht, die mir das Herze brennen macht, die mir als Tag der Seele lacht, Frau Minne will es werde Nacht, dass hell sie dorten leuchte, sie eilt auf die Fackel zu wo sie dein Licht verscheuchte. Sie nimmt die Fackel von der Tür Zur Warte du dort wache treu! Die Leuchte, und wär s meines Lebens Licht --- lachend sie zu löschen zag ich nicht! Sie wirft die Fackel zur Erde, wo sie allmählich verlischt. Brangäne wendet sich bestürzt ab, um auf einer äusseren Treppe die Zinne zu ersteigen, wo sie langsam verschwindet. Isolde lauscht und späht, zunächst schüchtern, in einen Baumgang. Von wachsendem Verlangen bewegt, schreitet sie dem Baumgang näher und späht zuversichtlicher. Sie winkt mit einem Tuche, erst seltener, dann häufiger, und endlich, in leidenschaftlicher Ungeduld, immer schneller. Eine Gebärde des plötzlichen Entzückens sagt, dass sie den Freund in der Ferne gewahr geworden. Sie streckt sich höher und höher, und, um besser den Raum zu übersehen, eilt sie zur Treppe zurück, von deren oberster Stufe aus sie dem Herannahenden zuwinkt. Dann springt sie ihm entgegen ZWEITE SZENE TRISTAN stürzt herein Isolde! Geliebte! ISOLDE Tristan! Geliebter! Stürmische Umarmungen beider, unter denen sie in den Vordergrund gelangen Bist du mein? TRISTAN Hab ich dich wieder? ISOLDE Darf ich dich fassen? TRISTAN Kann ich mir trauen? ISOLDE Endlich! Endlich! TRISTAN An meiner Brust! ISOLDE Fühl ich dich wirklich? TRISTAN Seh ich dich selber? ISOLDE Dies deine Augen? TRISTAN Dies dein Mund? ISOLDE Hier deine Hand? TRISTAN Hier dein Herz? ISOLDE Bin ich s? Bist du s? Halt ich dich fest? TRISTAN Bin ich s? Bist du s? Ist es kein Trug? BEIDE Ist es kein Traum? O Wonne der Seele, o süsse, hehrste, kühnste, schönste, seligste Lust! TRISTAN Ohne Gleiche! ISOLDE Überreiche! TRISTAN Überselig! ISOLDE Ewig! TRISTAN Ewig! ISOLDE Ungeahnte, nie gekannte! TRISTAN Überschwenglich hoch erhabne! ISOLDE Freudejauchzen! TRISTAN Lustentzücken! BEIDE Himmelhöchstes Weltentrücken! ISOLDE Mein! Tristan mein! TRISTAN Mein! Isolde mein! BEIDE Mein und dein! Ewig, ewig ein! ISOLDE Wie lange fern! Wie fern so lang! TRISTAN Wie weit so nah! So nah wie weit! ISOLDE O Freundesfeindin, böse Ferne! Träger Zeiten zögernde Länge! TRISTAN O Weit und Nähe, hart entzweite! Holde Nähe! Öde Weite! ISOLDE Im Dunkel du, im Lichte ich! TRISTAN Das Licht! Das Licht! O dieses Licht, wie lang verlosch es nicht! Die Sonne sank, der Tag verging, doch seinen Neid erstickt er nicht sein scheuchend Zeichen zündet er an und steckt s an der Liebsten Türe, dass nicht ich zu ihr führe. ISOLDE Doch der Liebsten Hand löschte das Licht; wes die Magd sich wehrte, scheut ich mich nicht in Frau Minnes Macht und Schutz bot ich dem Tage Trutz! TRISTAN Dem Tage! Dem Tage! Dem tückischen Tage, dem härtesten Feinde Hass und Klage! Wie du das Licht, o könnt ich die Leuchte, der Liebe Leiden zu rächen, dem frechen Tage verlöschen! Gibt s eine Not, gibt s eine Pein, die er nicht weckt mit seinem Schein? Selbst in der Nacht dämmernder Pracht hegt ihn Liebchen am Haus, streckt mir drohend ihn aus! ISOLDE Hegt ihn die Liebste am eignen Haus, im eignen Herzen hell und kraus, hegt ihn trotzig einst mein Trauter Tristan --- der mich betrog! War s nicht der Tag, der aus ihm log, als er nach Irland werbend zog, für Marke mich zu frein, dem Tod die Treue zu weihn? TRISTAN Der Tag! Der Tag, der dich umgliss, dahin, wo sie der Sonne glich, in höchster Ehren Glanz und Licht Isolde mir entrückt ! Was mir das Auge so entzückt , mein Herze tief zur Erde drückt in lichten Tages Schein wie war Isolde mein? ISOLDE War sie nicht dein, die dich erkor? Was log der böse Tag dir vor, dass, die für dich beschieden, die Traute du verrietest? TRISTAN Was dich umgliss mit hehrster Pracht, der Ehre Glanz, des Ruhmes Macht, an sie mein Herz zu hangen, hielt mich der Wahn gefangen. Die mit des Schimmers hellstem Schein mir Haupt und Scheitel licht beschien, der Welten-Ehren Tagessonne, mit ihrer Strahlen eitler Wonne, durch Haupt und Scheitel drang mir ein bis in des Herzens tiefsten Schrein. Was dort in keuscher Nacht dunkel verschlossen wacht , was ohne Wiss und Wahn ich dämmernd dort empfahn ein Bild, das meine Augen zu schau n sich nicht getrauten, von des Tages Schein betroffen lag mir s da schimmernd offen. Was mir so rühmlich schien und hehr, das rühmt ich hell vor allem Heer; vor allem Volke pries ich laut der Erde schönste Königsbraut. Dem Neid, den mir der Tag erweckt ; dem Eifer, den mein Glücke schreckt ; der Missgunst, die mir Ehren und Ruhm begann zu schweren denen bot ich Trotz, und treu beschloss, um Ehr und Ruhm zu wahren, nach Irland ich zu fahren. ISOLDE O eitler Tagesknecht! Getäuscht von ihm, der dich getäuscht, wie musst ich liebend um dich leiden, den, in des Tages falschem Prangen, von seines Gleissens Trug befangen, dort wo ihn Liebe heiss umfasste, im tiefsten Herzen hell ich hasste. Ach, in des Herzens Grunde wie schmerzte tief die Wunde! Den dort ich heimlich barg, wie dünkt er mich so arg, wenn in des Tages Scheine der treu gehegte Eine der Liebe Blicken schwand, als Feind nur vor mir stand! Das als Verräter dich mir wies, dem Licht des Tages wollt ich entfliehn, dorthin in die Nacht dich mit mir ziehn, wo der Täuschung Ende mein Herz mir verhiess; wo des Trugs geahnter Wahn zerrinne; dort dir zu trinken ew ge Minne, mit mir dich im Verein wollt ich dem Tode weihn. TRISTAN In deiner Hand den süssen Tod, als ich ihn erkannt, den sie mir bot; als mir die Ahnung hehr und gewiss zeigte, was mir die Sühne verhiess da erdämmerte mild erhabner Macht im Busen mir die Nacht; mein Tag war da vollbracht. ISOLDE Doch ach, dich täuschte der falsche Trank, dass dir von neuem die Nacht versank; dem einzig am Tode lag, den gab er wieder dem Tag! TRISTAN O Heil dem Tranke! Heil seinem Saft! Heil seines Zaubers hehrer Kraft! Durch des Todes Tor, wo er mir floss, weit und offen er mir erschloss, darin ich sonst nur träumend gewacht, das Wunderreich der Nacht. Von dem Bild in des Herzens bergendem Schrein scheucht er des Tages täuschenden Schein, dass nachtsichtig mein Auge wahr es zu sehen tauge. ISOLDE Doch es rächte sich der verscheuchte Tag; mit deinen Sünden Rat s er pflag; was dir gezeigt die dämmernde Nacht, an des Tag-Gestirnes Königsmacht musstest du s übergeben, um einsam in öder Pracht schimmernd dort zu leben. Wie ertrug ich s nur? Wie ertrag ich s noch? TRISTAN O, nun waren wir Nacht-Geweihte! Der tückische Tag, der Neid-bereite, trennen konnt uns sein Trug, doch nicht mehr täuschen sein Lug! Seine eitle Pracht, seinen prahlenden Schein verlacht, wem die Nacht den Blick geweiht seines flackernden Lichtes flüchtige Blitze blenden uns nicht mehr. Wer des Todes Nacht liebend erschaut, wem sie ihr tief Geheimnis vertraut des Tages Lügen, Ruhm und Ehr , Macht und Gewinn, so schimmernd hehr, wie eitler Staub der Sonnen sind sie vor dem zersponnen! In des Tages eitlem Wähnen bleibt ihm ein einzig Sehnen --- das Sehnen hin zur heil gen Nacht, wo ur-ewig, einzig wahr Liebeswonne ihm lacht! Tristan zieht Isolde sanft zur Seite auf eine Blumenbank nieder, senkt sich vor ihr auf die Knie und schmiegt sein Haupt in ihren Arm BEIDE O sink hernieder, Nacht der Liebe, gib Vergessen, dass ich lebe; nimm mich auf in deinen Schoss, löse von der Welt mich los! TRISTAN Verloschen nun die letzte Leuchte; ISOLDE was wir dachten, was uns deuchte; TRISTAN all Gedenken --- ISOLDE all Gemahnen --- BEIDE heil ger Dämm rung hehres Ahnen löscht des Wähnens Graus welterlösend aus. ISOLDE Barg im Busen uns sich die Sonne, leuchten lachend Sterne der Wonne. TRISTAN Von deinem Zauber sanft umsponnen, vor deinen Augen süss zerronnen; ISOLDE Herz an Herz dir, Mund an Mund; TRISTAN eines Atems ein ger Bund; BEIDE bricht mein Blick sich wonnerblindet, erbleicht die Welt mit ihrem Blenden ISOLDE die uns der Tag trügend erhellt, TRISTAN zu täuschendem Wahn entgegengestellt, BEIDE selbst dann bin ich die Welt Wonne-hehrstes Weben, Liebe-heiligstes Leben, Nie-wieder-Erwachens wahnlos hold bewusster Wunsch. Tristan und Isolde versinken wie in gänzliche Entrücktheit, in der sie, Haupt an Haupt auf die Blumenbank zurückgelehnt, verweilen BRANGÄNES STIMME von der Zinne her Einsam wachend in der Nacht, wem der Traum der Liebe lacht, hab der Einen Ruf in acht, die den Schläfern Schlimmes ahnt, bange zum Erwachen mahnt. Habet acht! Habet acht! Bald entweicht die Nacht. ISOLDE leise Lausch, Geliebter! TRISTAN ebenso Lass mich sterben! ISOLDE allmählich sich ein wenig erhebend Neid sche Wache! TRISTAN zurückgelehnt bleibend Nie erwachen! ISOLDE Doch der Tag muss Tristan wecken? TRISTAN ein wenig das Haupt erhebend Lass den Tag dem Tode weichen! ISOLDE nicht heftig Tag und Tod mit gleichen Streichen sollten unsre Lieb erreichen? TRISTAN sich mehr aufrichtend Unsre Liebe? Tristans Liebe? Dein und mein , Isoldes Liebe? Welches Todes Streichen könnte je sie weichen? Stünd er vor mir, der mächt ge Tod, wie er mir Leib und Leben bedroht , die ich so willig der Liebe lasse, wie wäre seinen Streichen die Liebe selbst zu erreichen? immer inniger mit dem Haupt sich an Isolde schmiegend Stürb ich nun ihr, der so gern ich sterbe, wie könnte die Liebe mit mir sterben, die ewig lebende mit mir enden? Doch stürbe nie seine Liebe, wie stürbe dann Tristan seiner Liebe? ISOLDE Doch unsre Liebe, heisst sie nicht Tristan und --- Isolde? Dies süsse Wörtlein und, was es bindet, der Liebe Bund, wenn Tristan stürb , zerstört es nicht der Tod? TRISTAN sehr ruhig Was stürbe dem Tod, als was uns stört, was Tristan wehrt, Isolde immer zu lieben, ewig ihr nur zu leben? ISOLDE Doch dieses Wörtlein und --- wär es zerstört, wie anders als mit Isoldes eignem Leben wär Tristan der Tod gegeben? Tristan zieht, mit bedeutungsvoller Gebärde, Isolde sanft an sich TRISTAN So stürben wir, um ungetrennt, ewig einig ohne End , ohn Erwachen, ohn Erbangen, namenlos in Lieb umfangen, ganz uns selbst gegeben, der Liebe nur zu leben! ISOLDE wie in sinnender Entrücktheit zu ihm aufblickend So stürben wir, um ungetrennt --- TRISTAN ewig einig ohne End --- ISOLDE ohn Erwachen --- TRISTAN ohn Erbangen --- BEIDE namenlos in Lieb umfangen, ganz uns selbst gegeben, der Liebe nur zu leben! Isolde neigt wie überwältigt das Haupt an seine Brust BRANGÄNES STIMME wie vorher Habet acht! Habet acht! Schon weicht dem Tag die Nacht. TRISTAN lächelnd zu Isolde geneigt Soll ich lauschen? ISOLDE schwärmerisch zu Tristan aufblickend Lass mich sterben! TRISTAN ernster Muss ich wachen? ISOLDE bewegter Nie erwachen! TRISTAN drängender Soll der Tag noch Tristan wecken? ISOLDE begeistert Lass den Tag dem Tode weichen! TRISTAN Des Tages Dräuen nun trotzten wir so? ISOLDE mit wachsender Begeisterung Seinem Trug ewig zu fliehn. TRISTAN Sein dämmernder Schein verscheuchte uns nie? ISOLDE mit grosser Gebärde ganz sich erhebend Ewig währ uns die Nacht! Tristan folgt ihr, sie umfangen sich in schwärmerischer Begeisterung BEIDE O ew ge Nacht, süsse Nacht! Hehr erhabne Liebesnacht! Wen du umfangen, wem du gelacht, wie wär ohne Bangen aus dir er je erwacht? Nun banne das Bangen, holder Tod, sehnend verlangter Liebestod! In deinen Armen, dir geweiht, ur-heilig Erwarmen, von Erwachens Not befreit! TRISTAN Wie sie fassen, wie sie lassen, diese Wonne --- BEIDE Fern der Sonne, fern der Tage Trennungsklage! ISOLDE Ohne Wähnen --- TRISTAN sanftes Sehnen; ISOLDE ohne Bangen --- TRISTAN süss Verlangen. Ohne Wehen --- BEIDE hehr Vergehen. ISOLDE Ohne Schmachten --- BEIDE hold Umnachten. TRISTAN Ohne Meiden --- BEIDE ohne Scheiden, traut allein, ewig heim, in ungemessnen Räumen übersel ges Träumen. TRISTAN Tristan du, ich Isolde, nicht mehr Tristan! ISOLDE Du Isolde, Tristan ich, nicht mehr Isolde! BEIDE Ohne Nennen, ohne Trennen, neu Erkennen, neu Entbrennen; ewig endlos, ein-bewusst heiss erglühter Brust höchste Liebeslust! Sie bleiben in verzückter Stellung DRITTE SZENE Brangäne stösst einen grellen Schrei aus KURWENAL stürzt mit entblösstem Schwerte herein Rette dich, Tristan! Er blickt mit Entsetzen hinter sich in die Szene zurück. Marke, Melot und Hofleute, in Jägertracht, kommen aus dem Baumgange lebhaft nach dem Vordergrunde und halten entsetzt der Gruppe der Liebenden gegenüber an. Brangäne kommt zugleich von der Zinne herab und stürzt auf Isolde zu. Diese, von unwillkürlicher Scham ergriffen, lehnt sich, mit abgewandtem Gesicht, auf die Blumenbank.Tristan, in ebenfalls unwillkürlicher Bewegung, streckt mit dem einen Arm den Mantel breit aus, so dass er Isolde vor den Blicken der Ankommenden verdeckt. In dieser Stellung verbleibt er längere Zeit, unbeweglich den starren Blick auf die Männer gerichtet, die in verschiedener Bewegung die Augen auf ihn heften. Morgendämmerung TRISTAN nach längerem Schweigen Der öde Tag zum letztenmal! MELOT zu Marke Das sollst du, Herr, mir sagen, ob ich ihn recht verklagt? Das dir zum Pfand ich gab, ob ich mein Haupt gewahrt? Ich zeigt ihn dir in offner Tat Namen und Ehr hab ich getreu vor Schande dir bewahrt. MARKE nach tiefer Erschütterung, mit bebender Stimme Tatest du s wirklich? Wähnst du das? Sieh ihn dort, den treuesten aller Treuen; blick auf ihn, den freundlichsten der Freunde seiner Treue freister Tat traf mein Herz mit feindlichstem Verrat! Trog mich Tristan, sollt ich hoffen, was sein Trügen mir getroffen, sei durch Melots Rat redlich mir bewahrt? TRISTAN krampfhaft heftig Tagsgespenster! Morgenträume! Täuschend und wüst! Entschwebt! Entweicht! MARKE mit tiefer Ergriffenheit Mir dies? Dies, Tristan, mir? --- Wohin nun Treue, da Tristan mich betrog? Wohin nun Ehr und echte Art, da aller Ehren Hort, da Tristan sie verlor? Die Tristan sich zum Schild erkor, wohin ist Tugend nun entflohn, da meinen Freund sie flieht, da Tristan mich verriet? Tristan senkt langsam den Blick zu Boden; in seinen Mienen ist, während Marke fortfährt, zunehmende Trauer zu lesen Wozu die Dienste ohne Zahl, der Ehren Ruhm, der Grösse Macht, die Marken du gewannst; musst Ehr und Ruhm, Gröss und Macht, musste die Dienste ohne Zahl dir Markes Schmach bezahlen? Dünkte zu wenig dich sein Dank, dass, was du ihm erworben, Ruhm und Reich, er zu Erb und Eigen dir gab? Da kinderlos einst schwand sein Weib, so liebt er dich, dass nie aufs neu sich Marke wollt vermählen. Da alles Volk zu Hof und Land mit Bitt und Dräuen in ihn drang, die Königin dem Lande, die Gattin sich zu kiesen; da selber du den Ohm beschworst, des Hofes Wunsch, des Landes Willen gütlich zu erfüllen; in Wehr wider Hof und Land, in Wehr selbst gegen dich, mit List und Güte weigerte er sich, bis, Tristan, du ihm drohtest, für immer zu meiden Hof und Land, würdest du selber nicht entsandt, dem König die Braut zu frein. Da liess er s denn so sein. --- Dies wundervolle Weib, das mir dein Mut gewann, wer durft es sehen, wer es kennen, wer mit Stolze sein es nennen, ohne selig sich zu preisen? Der mein Wille nie zu nahen wagte, der mein Wunsch ehrfurchtscheu entsagte, die so herrlich hold erhaben mir die Seele musste laben, trotz Feind und Gefahr, die fürstliche Braut brachtest du mir dar. Nun, da durch solchen Besitz mein Herz du fühlsamer schufst als sonst dem Schmerz, dort, wo am weichsten, zart und offen, würd ich getroffen, nie zu hoffen, dass je ich könnte gesunden warum so sehrend, Unseliger, dort nun mich verwunden? Dort mit der Waffe quälendem Gift, das Sinn und Hirn mir sengend versehrt, das mir dem Freund die Treue verwehrt, mein offnes Herz erfüllt mit Verdacht, dass ich nun heimlich in dunkler Nacht den Freund lauschend beschleiche, meiner Ehren Ende erreiche? Die kein Himmel erlöst, warum mir diese Hölle? Die kein Elend sühnt, warum mir diese Schmach? Den unerforschlich tief geheimnisvollen Grund, wer macht der Welt ihn kund? TRISTAN mitleidig das Auge zu Marke erhebend O König, das kann ich dir nicht sagen; und was du frägst, das kannst du nie erfahren. Er wendet sich zu Isolde, die sehnsüchtig zu ihm aufblickt Wohin nun Tristan scheidet, willst du, Isold , ihm folgen? Dem Land, das Tristan meint, der Sonne Licht nicht scheint es ist das dunkel nächt ge Land, daraus die Mutter mich entsandt, als, den im Tode sie empfangen, im Tod sie liess an das Licht gelangen. Was, da sie mich gebar, ihr Liebesberge war, das Wunderreich der Nacht, aus der ich einst erwacht; das bietet dir Tristan, dahin geht er voran ob sie ihm folge treu und hold --- das sag ihm nun Isold ! ISOLDE Als für ein fremdes Land der Freund sie einstens warb, dem Unholden treu und hold musst Isolde folgen. Nun führst du in dein eigen, dein Erbe mir zu ziegen; wie flöh ich wohl das Land, das alle Welt umspannt? Wo Tristans Haus und Heim, da kehr Isolde ein auf dem sie folge treu und hold, den Weg nun zeig Isold ! Tristan neigt sich langsam über sie und küsst sie sanft auf die Stirn. --- Melot fährt wütend auf MELOT das Schwert ziehend Verräter! Ha! Zur Rache, König! Duldest du diese Schmach? TRISTAN zieht sein Schwert, und wendet sich schnell um Wer wagt sein Leben an das meine? Er heftet den Blick auf Melot Mein Freund war der, er minnte mich hoch und teuer; um Ehr und Ruhm mir war er besorgt wie keiner. Zum Übermut trieb er mein Herz; die Schar führt er, die mich gedrängt, Ehr und Ruhm mir zu mehren, dem König dich zu vermählen! Dein Blick, Isolde, blendet auch ihn aus Eifer verriet mich der Freund dem König, den ich verriet! Er dringt auf Melot ein Wehr dich, Melot! Als Melot ihm das Schwert entgegenstreckt, lässt Tristan das seinige fallen und sinkt verwundet in Kurwenals Arme. Isolde stürzt sich an seine Brust. Marke hält Melot zurück. Der Vorhang fällt schnell この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Wagner,Richard/Tristan und Isolde/III
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